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Search TV news captions; Search radio transcripts; Search archived web sites. Advanced Search. GO. share Share No_Favorite Favorite play Play All. [MP3 - kHz - kbps CBR]/ - I Love You (Instrumental) - I Love You (나인뮤지스)/Lossy/Korean/9MUSES - [] - News - [MP3. Download Torrent or Magnet 푸른 바다의 전설 (Instrumental).flac ( MiB) 9MUSES [] News [MPkbps-CBR]. ARCHEOPARK CHOTEBUZ CZTORRENT It should note Skip to navigation. Please check your is a verified. Demo Demo programs business data, searching shop better, work alert user that you quickly and linked when the tell that tool.

Three of the tracks are from the Japan-only release True World , with the track "The True Sun" extended into an epic, sidelong exercise in folk-rock dynamics. Shinji mounts this final track as a sequel to Neil Young's "Cortez the Killer," stretching out its length with grandiloquent guitar soloing and soaring melodies on Fender Rhodes piano and various synthesizers, interrupted by quiet acoustic passages.

Five albums deep into their career, the only complaint that could be leveled against Nagisa Ni Te is the deja vu familiarity of many of their songs from album to album, which tend to sound more alike than different. This tendency is emphasized on this album, which puts together several songs with similar sounding vocal melodies. Since the majority of Western listeners won't understand the lyrics anyway, this places an emphasis on Nagisa Ni Te's arrangements, which do vary quite a bit and provide much of the richness and nuance of the album.

Even at their most rock n' roll, as on the track "Anxiety," there is still a light, insubstantial feel to a lot of this music which may ultimately prove the be the band's undoing. The illustration of a cute pink Teletubby riding a wave on the album's cover doesn't help the problem, but with a track as epic and magnificent as "The True Sun," Nagisa Ni Te prove that they still have quite a few pleasures in store.

One" Ecstatic Yod John Fahey was a master musician, completely redefining the guitar and pioneering several styles that are distinctly and wholly his own. Blind Joe Death was a name he ascribed to a few tracks on his first album of the same name. Loren Mazzacane Connors and Christina Carter along with artist Conrad Capistran and Byron Coley have composed the first in a proposed series of duo recordings dedicated to the memory and work of John Fahey.

The artwork is absolutely gorgeous, imitating the style of many of Fahey's record covers down to the small essays sometimes included on the back of his sleeves. The music, however, does not recall the material on Fahey's Blind Joe Death records. Instead, Connors and Carter have opted to stick their guns and record the music as they know best. This undoubtedly works to their advantage as any attempt at copying Fahey's style on these records would be both redundant and futile.

The record is broken into two side-long pieces, each of which is broken into several parts. The first side, entitled "Smoke," includes piano and a guitar whose tone is white, but distorted by some blanket, as though I'm only catching echoes of the actual performance.

The movement of both instruments is slow, cold, and somber, invoking Fahey's ghost in a series of drawn out tones and shadowy folds. The guitar playing, at times, is reminiscent of Fahey's latter work, but remains far less complex and more focused on atmospheric effect. Haunting in its slow creep, the seven-part track slowly fades away and leaves a feeling of complete emptiness and absence; Fahey is obviously missed.

The second side is entitled "Mirrors" and is broken into five pieces. The guitar and piano on this side move with a certain grace that reminds me entirely of Fahey without being an actual copy of his work. The mood is still solemn in some ways, but the instruments have more life in them and each note somehow vibrates and harmonizes with Fahey's attitude and approach towards music. The album ends with a sample of a recording from what might be an old 78 playing in the background.

It simultaneously makes reference to Fahey's love for the history of blues and folk music and to Death himself, still responsible but unknown for so much great music. Mouthus, "Loam" Ecstatic Peace Psychedelic music has been getting a lot of attention lately, but I'm hard pressed to find anything with such a tag to be truly psychedelic.

A vaguely rhythmic series of choppy and sloppy hi-hat smacks and tom pops lays out the framework for vibrating guitar noise and deeply running bass hums throughout the first side of Loam. It's messy, beautiful, and recalls all the effects and variables of a psychedelic painting or a hyper-real physical experience. The instruments swim in and out of each other while a clattering of sheet metal provide a point of reference or a singularity through which all the random sounds can be filtered and processed.

The second side, however, fails to provide anything too interesting. More solid and complete rhythms come from this duo on the last three tracks and their guitar work ruins the moody and elemental nature that they introduced on the first half of the record. It's difficult even saying this because the first two tracks have been spinning for about eight rotations now and I can't bring myself to stop the constant onslaught of the keyboard-like melodies and the ear-splitting bursts of static, whines, and hellish winds.

If only these songs hadn't been released on this record; they don't even sound like they belong on the same album as "Yota" and "Sheep Dust. For some reason, the bits and pieces I had heard over the span of a few of their discs just did not appeal to me, although all the key "cool" elements were there: slick, programmed minimalist grooves augmented with drum kit; simple and punchy bass lines occasionally performed on the upright; lush layers of synthesizers drawing out interesting chord progressions.

With their recent move to the Morr label, I can now say that I've quickly fallen for them thanks in part to the subsequent release of their brilliant The Needle Was Traveling disc. All the same elements as before are present, only now with a clearly defined direction, clever hooks, swifter tempos and catchy guitar riffs figuring in more heavily on their tunes.

The duo of Bernd Jestram and Ronald Lippok spent the better part of a year working out a pile of compositions; the thirteen originals on this disc having a definitive pop song structure in comparison to older material. Throughout the disc, various guests some of whom had just happened by Jestram's studio during recording turn up on a bevy of instruments including violin, cello, guitar and of course the trombone to tastefully augment the already voluptuous tracks.

Lippok's deadpan, near-spoken word vocal performances, although a juxtaposition in comparison to the instrumentation, are well-supported by the backing tracks and are perfectly blended into the mix. Perhaps it was the move to the Morr label that raised the bar for Tarwater to yield such a strong collection of tunes and become more song-oriented rather than just turning out musical beats.

For the disc's token cover song, the timing couldn't have been any better in choosing Minimal Compact's "Babylonian Tower. Can I get an Amen? Released in on the Nettwerk and Volition labels, the album spawned a trio of dancefloor designed singles that by themselves warrant this reissue by the highly regarded LTM Publishing imprint, known for giving similar treatment to albums from Section 25 and 23 Skidoo. The second track, "Triangle Tangle Tango," warps and warbles in a stew of playful cacophony held together by a steady beat and a few key melodic elements.

While still catchy thanks to Ellard's voice, the title track's lamentful bells and ominous atmospheres manage to give off a quasi-gothic feel not found elsewhere on the album. Middle-Eastern chants and oppressive bassy drones set the tone for the beatless "Chasing Skirt," the final song from the original album, leaving a gloomy aftertaste to this largely bright album. The five bonus cuts that accompany this reissue include the original version of "All Saints Day" and the non-album instrumentals "Star Spangled Bradbury" and "Bombs Fell.

Those who recall Severed Heads' far more experimental albums like Since The Accident and City Slab Horror the latter recently self-reissued by Ellard might very well be turned off to something that is so decidedly reaching for more mainstream success. Nonetheless, music lovers not limited solely to difficult listening and elitist esoterica will find Rotund For Success both a worthwhile treasure and, on another level, an upbeat throwback to a time where electronic dance music was still going through growing pains.

Asmus Tietchens, "Litia" Die Stadt This marks the fifth in Die Stadt's ongoing Tietchens reissue campaign and the last of the artist's early works to be released initially by Sky Records. The mood is still all fun, but for the first time Tietchens seems involved in creating a mystery, allowing the pop context to assert itself only for reasons of parody. Rhythm remains flat and static throughout, the music's tune-ful elements accomplishing little more than a program of retarded waltzes, coated in plastic echo and hideously pixilated accents.

Songs are short, but feel long, drawn into a distant nocturnal sprawl, de-energized by the metallic flavor of the sounds and their explicitly mechanical construction. Though criticized for exposing a fusion of the artist's interests too uneven to be enjoyable, Litia sounds today like an odd voice of dissent, dark and harsh enough to reject the pop perspective, yet immediate beyond the visceral associations of industrial music. A punk sensibility enters, encouraged by Tietchens' reliable deadpan presentation, lending the album some of its predecessors' light-heartedness without a sacrifice in the cold exactitude of the music.

New comparisons might include the more lo-fi work of Flux Information Sciences whose own brand of cut-up, industrialized pop reaches a similar apex of plasticity, self-parody, and gritty self-indulgence. Without the stifling rhythmic linearity of album tracks, these become some of highlights of the reissue, sounding much less dated not surprising, as the 10" was released in , years after the recording , similar to the looser pop-oriented late 90s work Tietchens did with the Hematic Sunsets and the Scorpions.

This first volume compiles seven tracks that were originally available briefly as free MP3 downloads from Bardo Pond's website. The seventh and final track was originally available only as an excerpt, and is here presented in its full, epic minute length. All of these tracks were recorded around the time of 's Set and Setting album, and thus reflect the band's sound during that time. The Bardo Pond sound has not changed all that much over the course of their prolific career: a heavy, atonal rock sound characterized by mountains of hypnotic feedback, reverb and drone.

Typical of bands comprised largely of non-musicians, they focus more on the textural quality of sound and less on melody and dynamism. Though their lyrical imagery and song titles often reference psychedelics, their sound is much closer to Sonic Youth or My Bloody Valentine: more artsy noise rock than space rock. One of the problems with Bardo Pond is that their live performances have always been vastly superior to their recorded output, much of which sounds stiflingly uniform.

And these tracks are no exception, playing up the band's tendency towards churning rock pushed into the red zone of distortion, with singer Isobel Sollenberger providing indecipherable, vaguely bluesy vocal moaning.

There are a few moments scattered across this collection where Bardo Pond goes outside of their usual repertoire, notably with the sparse, subtle ambience of "Nomad" and "Quiet Tristin," which seem to be drawn from free improvisations, providing some quietly hypnotic moments that stand out on an otherwise routine album.

As could be expected from material that is nearly six years old, nothing here is earth shattering, and Bardo Pond continue to be in no danger of igniting any trends. Instead, they rather relentlessly pound away at their same signature sound, which is this current market of trendspotting and postmodern chameleonism, has got to be worth something.

That and Glen Johnson, the only fixture of the group, which includes a revolving door lineup of musicians who come and go like breathing over the course of the project's numerous albums, EPs, soundtracks and compilations.

This collaborative atmosphere has resulted in wildly inconsistent results, which may be an advantage for the group, as it keeps their cult of interested listeners in a state of constant suspense about what each new release might bring. This new EP is the band's first release for Important, and it's also their first foray into full-blown electronic laptop-pop.

There's been a heavy experimental, bedroom electronics feel to past releases, but this is the first time that Glen Johnson and Co. It seems a peculiarly calculated move for a band that never previously seemed to care about musical trends, and ultimately, I'm not sure if it pays off. The opening track "Echoes on Ice" employs the vocal talents of Klima's Angele David-Guillou against a cold backdrop of sparse digital glitchery with the barest subliminal suggestions of melody and rhythm.

It's all very nice, but it sounds nearly identical to the music on Bjork's Vespertine album, and doesn't share the same tantalizingly mysterious atmosphere of previous Piano Magic efforts. It seems fairly derivative, and while it will doubtless appeal to those can't get enough of this sort of thing, it sounds rather tired and dull to me.

Barbellion, a work of terse miserablism that informs Glen Johnson's spoken-word vocals on the track, which continues the same minimal atmospherics from the opening track. Rounding out the brief EP is "This Heart Machinery," with vocals by Johnson, this time with slightly more compelling backing electronics. Judging by the liner notes for the album, which inform me that Jerome Tcherneyan and Cedric Pin are solely responsible for the music on the album, with Johnson only providing lyrics, it seems to me that Johnson has leaned too heavily on his collaborators this time, ending up with a release that is bland, faceless and unremarkable.

We know that our music picks may be somewhat challenging to find, which is why we have a community section which can be used to obtain nearly everything available on this site. For a more detailed schedule stretching into the future, please check out the page, since release dates can and will often change. He seems just as obnoxious.

Subject: How about a search function for the brain? Because the musician Wolfgang Schmetterer, also known as Magentaa has picked up the computer scene Champ Anatol Locker and dragged him to stage, at this time especially in their home city, where they rock those stores that allow such a smooth sound Back to Udine, Italy another member of the vibrant italian electronic scene hits your cosmopolitan bakery with goosebump vibes that enchant between nature, spirits and machines.

Let's grow with frequencies like this: world depicted through field recordings, emotional leads, relaxed beat movements, proper glitches, water, voices, singing, bells, bass, flutes, reversibility, passion, love n art. Fly out to join Digi's huge family picknick. The results are quite diverse but show what's going on in the world of instrumental beats and samplers right now. Enjoy the vibez. Let them bomb you.

Please visit the phonocake. With this EP we document one of Trans Alps concerts of the last years, which is also a take of one of his musical processes, which can be described as developing the tracks from one concert to another. Topics: concert, EP, experimental, synths, sounddesign, microscopic, laidback, introspective, dreamy, In perfect attention the crystallized minescrafter digs through the depths of the heights. In hand luggage the best machines, he travels across noone's heaven.

Three rooms. With Winterberg's second album, we go a bit deeper into his work. After his self chosen "lock in with grand" some songs reached new levels. Grasping the moment, comfort of maturity. Between saturated thickness and clear raising there are also occasionally surprises. Over three hours of music has been found for this Topic: phokes The music by illocanblo can be perceived as rather contemporary art instead of classic electronic or IDM.

His production process consists certain artistic techniques. The machines are fed with his mood and partially put in generative mode and automated. So illocanblo is like a duo of a human and a machine. You can read a brand new interview with illocanblo on his artist page at Phonocake.

Three Remixes, by Dr. Doctor, King Imagine and. Release Pages Links en Each track features a corresponding visual artwork. After seeing one artwork Atl. Having those prefs saved he made other tracks. Die Insel" is a project combining the poetry by Nora-Eugenie Gomringer and electronic music by Buben. The selected poetry has been artistically embedded into the experimental compositions by the Belarusian producer Buben renowned for his earlier works with poets.

The musical interpretation of Nora-Eugenie Gomringer's poetry has been presented by Buben in connection to the publication of Up to now, dancefloor tracks have not really been represented on Phonocake. Those days are over now, though, because Alec Troniq is helping us out there with the latest release: three tracks with a total length of roughly 26 minutes and from a genre that lets quite a few electronica lovers furrow their brows.

But no reason to worry: Alec Troniq holds up Phonocake's honor and the love for music, letting us hear uncompromising, but somehow tasty dancefloor, which, by the way, works wonderfully as Close to being a tradition we get back to the musical world of Mother Russia.

With his debut under use of old soviet synths krokar looks in the slightly depressing areas of electronic music, what touches current feelings a bit and fits to the style of Now. Sniping Katana-Breaks, underlayed by aetheric plateaus, elevating the latest heights of the Cosmic Sensor Space. Flying carpets cruising through superhighspeedlevels of Multimonitor-Motions. Dreamy huge keyboards let appear big signs and symbols trough myriads of fog. Somebody has blown into the pollen.

The ep gets sweeter and sweeter, at the latest with 'floranta', to go phat beated and happy as well as polyphonic chirping, more and more drifting in the direction of 'Gedankenwelt'. Who still Source: release site phonocake.

Net label debut by Push Against New Fakes. Strong and full of melancholic energy the tracks transpire rave society and IDM culture. Authentic and deepest works from the heart. Open your mind and put on your raving shoes Yes, lets enjoy our thirtiest release with Deftype's Gemischtwaren ep. Not so fluffy as our last release, but this should not keep us. You can find a sort of mixture of lofi beats, electro, classical instruments,Hitchcock-Atmospheres, simulated acoustic percussions and much more.

Sometimes some kind of melody appears from the background of filled dark cyberlogical streets. All in all, its not easily graspable in stylistic or genre-terms at all. Don't be afraid of a fresh mixed up everything music, which is hard to categorize, but makes fun to listen to or also to just let it go in a summerly background.

Topics: Electronica, Europe, Amsterdam, , album, flac, mp3, playful, phonocake. The artist's primary task was to dip the listeners into a beautiful world of fairy tale. Every track is a trip to different realm of that Land. We bring you the musical soundtrack for a midsummer night's dream. With tracks by different local activists and some old and new friends from russia.

From Rostov-on-Don we can welcome and introduce Evgeny Light, from Moscow young Phil Gerus with a slightly preview on upcoming Phonocake release and with them our old buddies from Modul, with a track from their album "Over The Dew", released on Biotronic. There's just too much paranoia, yesterday and today. Magentaa's release "U. The meandering Remixes negotiate control, monitoring and UFO paranoia.

Topics that are in the current age of Edward Snowden as actual as they were in the days of J. Edgar Hoover. There's too Planting the body in a soil of feathers, sending the brain "to work", colored coffee to go, time jumping, cypher matrices, light seas in photonic clouds, nonexistant crystals.

VidasM is our second messenger out of this european winter. Keep it warm with the fluffy and minimal electronica tunes. Nothing to hesitate, just let things go, before we start into a year full of beats, experiments and our Phonocake Compilation. With his minimal-electroid-ambientesque 'Turning Fog' ep, Anaxy takes us to the deep inner things structures and shadows of all the things surrounding us. Anaxy shows us what is going on right there. Its a clear and moving picture, hard and soft at the same time, quiet and loud at once, not too fast, but still moving along at a pleasant pace.

It's an Optimized Clockwork analysis, while the moods in the cabin are translated to melodic lines. And so we can see: The world of the We proudly present the phonocake debut of Fondella, serving a true adventure in beauty of sound, kind of a soundtrack of a yet to be released indie game. Put on your headphones and explore yours and Fondella's world in a slow paced enjoyable time frame. These moments are yours, accompanied by Fondella's tunes.

The wind is blowing from a very different direction with Phonocake's latest release: Disrupt transfers classic reggae music to contemporary media, thus producing reggae with the help of digital tools - laptop dub plates, so to speak. You could call the sounds developing from that mixture spherically electronic.

All four tracks are very dubby, three of them are constructed on traditional riddims, as is usual - and even essential - in reggae music. The influences of digital elements turn the It's so great that we can welcome one of our alltime fav netaudio heroes here at Phonocake.

KO, this is for you too! Congrats to Phonocake's ninth birthday. Here comes Carl AKA transient, from somewhere off and on, in and around upstate NY, who's been present since the beginning of audio and music in the www. He hasn't released for about two years in a longer format and presents here his first material under the beat.

Here we go with seven tunes and two bonus remixes to enjoy This release is impressive in some ways. You see the creek depicted on the cover artwork? It's one of the artists favorite spots to chill and to create music. He produced all the music in the forest using a tablet computer, making most of the tracks in the stunning forests around the albums namesake 'Chiquesalunga Creek'. And the artist is none other than one of the root free Netaudio stars online - Transient.

Having released last year on Phonocake as Beat. Dowsing we now connected again to Sonnensucher - translated as 'sun seekers' is the story of possibly you Secrets of mining the hidden stuff. We have choosen the name, because we wanted to go down, 'Unter Tage', under the ground. Caves, mines, lonely, but somehow connected workers, activists. The compilation introduces some new No more fear" - Compared with Graf's earlier releases, there is an apparent mood change in this track: a dark determination, which probably doesn't remind just me of the heights of EBM.

Powerful, almost whipping beats contribute to the mood; the use of the vocals underlines the atmosphere characterized by sadness and retribution. Actually, it's still not releasing one, as we get to hear but a fragment Topics: Abstract, netlabel, phonocake, electronic, idm, Electronica Source: release page phonocake. The Italian Beat Scene did it again! Beatmaster Digi G'alessio kicks the drums and the who is who follows the invitation.

This time it's Digi G'Alessio's »Disco Zambra« release, which called for remixes and homies, friends, inviting to hit their drums. Visit our space disco! All day long. After two years the second full release of Idhren, »Klint«, follows his great and also notably debut EP on the meanwhile disfunct greek netlabel »Digilog«.

While this former release was clompletely swimming in downtempo, on to open structured ambient, »Klint« now consists of increasing IDM, always containing a calm and harmonic core. From time to time, melancholic extensiveness says hello. Idhren's release on digilog could had been released on Phonocake then, if we would have realised his Topics: phonocake, netaudio, netlabel, ambient, idm, electronic.

With Matti T's second EP on phonocake we offer a potential goosebump flash home festivus pointing to his upcoming album on phonocake, just in two months. Stay tuned, he will be back soon. It is time for a new release by Mr. After an eventful year filled with live acts and quite a few ups and downs, Phonocake presents the Secret Melodies of the year, some of which were already introduced in a mix by Mr.

Incognito in Dresdens oldest radio show for our musical tastes, Buschfunk. At first, we considered offering this great release to other netlabels also to promote our idea of building a network with other netlabels via the musicians, but Mr. Incognito feels very close to Source: www. This slow and irregular hip or trip? Rhythmic, groovy, slightly deranged, and it's somehow cool too. Erich Schall With the "No. Exciting to listen and with loop listening potential the tracks show an enjoyment in music, sample play and dancefloor, beyond perfection, which can be felt by the listeners.

Having released on Teppana - Triple EP [phokes] The hottest spot in the coldest place. Your heart. Teppana is a trio from Finland. You certainly will hear the influence by artist Matti T, who released on phonocake some EPs and albums already. In the Triple EP he accompanied with two friends and you can feel a dancefloor moment in some tracks. Top notch high life emotional output will touch your hearts.

Have enjoyable autumn and winter times. Trans Alp is back with new influences. We witness his er version of electronic Dub and diverse steps here. The EP goes a step further whilst the musician helps itself with a mixture of "sawtooth rag shredder" and fragile electronica aestetics at the same time. Unusually voluminous, yet clear and structured it delivers his own definition of the current 'hype machines', utilizing digital and analogue machines. Phonocake-Artist Drehton moves the knobs and keys to the next experimental level.

With references to trance, IDM, techno and now and then dub, he shapes the sound of a hyperworld: full of jumps, speed, variety, intensity, clear superabundance. This is where the control takes place, this is where the chips glow. Full of details this HiTekk Electronica purrs full of longing in the metropolis of chip design sound. The 21st century replaces any category concept of ours.

The concepts Topics: phonocake, energetic, experimental, IDM, Dresden, mp3, flac, wav, , album. Sizzle shizzle, who funks da offbeat through the hood? It's Digi G'Alessio again, with his acoustical 'heater', who wonks the chipping peeps and beats out of our body peripherals, each gram in us moving, squeezing everything out of us and the machines.

Don't struggle, no way, it all comes so massive. Our bro and friend Digi G'Alessio is back with full luv effect. We enjoy that he comes back after his excursions into Trip Hop, Dubstep, Wonky and delights us with his full Skweee album Topics: skweee, wonky, funk, , funky, album, sessions, squeeze, Europe, fat, beats, playful, rocking, Stylistically mixed colorful, but mostly relaxed and for the mature listener, you get a nice mixture of finest artworks from many areas and locations for your ears.

Beside our well known buddies, for instance Striesen-Posse or Madstyle, there are also guests from Lithuania and Russia Topics: electro, minimal, ambient, field recordings, melodic electronica, dark melodic electronica, Percussive mechanical sounds and drones form crater landscapes and the warm sounds and melodies from time to time are the meadow on the edge of the crater.

So, Kraterwiese is the perfect soundtrack for your next mission to mars. The german title 'Kraterwiese' is a neologism, wich is made of the words "crater" an "meadow". This ambivalence is also reflected in Anaxy's music. Kraterwiese is the third release of Anaxy on Phonocake.

Topics: drones, phonocake, ambient, electronic, netlabel, netaudio, dark, abstract Source: release page phonocake. Tablas, field recordings, voices, bells: Ghost Radio converts his environment into music, backed by an immense Bass. The tracks were created partly in a tunnel in Spain or with friends in India.

The Diwan EP shows Ghost Radio's great love for the sound that we have called Dubtechno and dub house for the last ten years, interpreted in small-scale micro-worlds of sound and sound events. Topics: laidback, introspective, dreamy, , Dresden, album, dubby, mp3, flac, Europe, uk, energetic. The active guys from the Modul-group surprised us one day with a small Remix-Action, whose results create a space of meeting artists from eastand west. With us are some new names and impressions as well as interpretations by well-known artists like Madstyle and Anaxy.

The original track was already released under Creative Commons License at zhe russian Electrosound Netlabel. Phonocake release 18 features three new tracks by Al Magnifico, all three being fundamentally different from each other, and different from a lot of other things too.

Without any problems, Al Magnifico provides ample scope for what we call "electronic music", elegantly bridges the gap between different musical genres and has quite possibly Topics: Electroacoustic, netlabel, phonocake, electronic, idm, Electronica Source: release page phonocake. Created on. Jonathan Aizen Member. Ed End 0 May 8, am May 8, am [nws] netwaves Ed End 0 Apr 29, am Apr 29, am [nws.

Ed End 0 Feb 11, am Feb 11, am View more forum posts. Jun 16, am Jun 16, am. Jun 9, pm Jun 9, pm. Jun 2, am Jun 2, am. May 19, am May 19, am.

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