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Do you like abject cuteness? If you answered "yes" to these questions, then you need to watch CCS. Sure, it's often a "card of the week" plot, but you have all sorts and I do mean ALL sorts of love triangles going on, plus no excessive transformation sequences; Sakura wears a different costume every episode, and whether she's in battle costume or school uniform, she oozes cuteness in every scene. While CCS is popular in loli circles, the series itself is innocent, unless you count normal costuming like school athleticwear as fanservice.

The animation holds up well enough that it's hard to believe it comes out of the late s, and stays consistent over the episode run. Like other Magical Girl series, the plot has a number of minor climaxes that interrupt the "monster-of-the-week" paradigm and provide moments of heigtened tension.

You hate to see them go, but before the credits roll, you get to see Sakura, Shaoran, and all the rest even minor characters get cameos in one last adventure. Cuteness, magic, tears, romance, and hooeee-ing abound.

I should also comment on the dub--it really is one of the great shames of anime that the whole series couldn't have been dubbed with this cast and style. Sure, they'll never beat the Japanese VAs in pure cuteness, but the CCS M2 dub is not just an improvement over the atrocious CardCaptors dub; it is a truly good-quality effort that even preserves Sakura's trademark "hooeee!

Watch this after episode 70 of the series; you'll have the instinct to delay it, just so that CCS doesn't "end," but it is inevitable. It is your destiny. A decent movie that plays like an extended episode, with a wistful look into Clow Reed's past.

Vintage Miyazaki story and visuals, good acting in both languages, and a great fantasy experience, even if some of the "messages" ring a bit hollow. The ships, robots, flight scenes, and design of the castle itself will make you forget that you're watching a pre anime. Enjoyable for all ages and multiple viewings. However, I got the impression that I needed to be on various drugs to fully enjoy this movie, and since I didn't have access to those drugs, I can't rate it very well.

Only 24 episodes, so some of the manga is left out, but it's still a very layered, beautiful, and tragic story. I'd like to think that it's an instance of "girls falling in love for no rational reason," or maybe the manga has some scenes which flesh things out a bit. Someone once commented, "I miss the days of shows like Ceres and Escaflowne where you had to stay tuned or miss important plot details," and Ceres lives up to those remarks.

The songs aren't bad , but CPS just doesn't have the same overall appeal of similarly-themed series like Full Moon wo Sagashite. You may laugh, you may cry, and it's "feelgood" in the end, but there's not that much of substance beyond the sweet taste. As such, there's no character introductions -- we're dropped into the middle of a story and assumed to know about the "young girl with two older live-in servant boys" living situation. There's no major conclusion to anything, just an incident where a pair of prized panties goes missing, possibly purloined by the more perverted of the boys.

Arguments, misunderstandings, and a "find the runaway" plot ensue. That's all there is, but it's only 10 minutes, and there aren't that many shoujo OVAs in the oldschool era or any era, for that matter. And I'll always be grateful for that. Chitose Get You!! Is it a philosophical sci-fi tale about man and machine, or a fanboy-oriented fantasy about cute, obedient computer girls that will never act like those violent and confusing real-life girls?

Honestly, it's a bit of both, with some etchi comedy in the first half and a more serious story in the second half. Unfortunately, the episodes that deviate from the manga are uniformly bad, so the Chobits anime story suffers a bit. Especially since the ending is a serious deviation from the manga. This puts Chobits above standard fanservice-fests, but be sure to read the manga, too, as the ending is different enough to raise more than a few eyebrows.

A decent peek into the future lives of the characters, but you're really not missing much if you skip this. First off, the series itself has pretty good animation, mood-appropriate music OP and ED are good as well and for awhile, a generally fun "nuns with guns" atmosphere. That, along with the s America setting, are things you don't see every day.

Lots of action and a more serious tone after the filler "Christmas" episode 17 or so to bring us to the end, which in my book is appropriate and tragic for the series. I've mentioned the "sunset scene" of episode 24 in the past, and that scene's visuals, music, and dialogue create a very moving experience--because of that, Chrno Crusade's ending will be unpopular to some, but if you enjoy crying over anime as I do, it's golden.

After actually reading the manga, I'm concluding that they're both equally valid stories. They both reach the same place in the end; only the routes they use to get there are different. The first time I saw CC, it was in the fall of via a hopelessly mixed group of fansubs given to me by a friend on CD-R. It was certainly an interesting experience, being new to the fansub world and not knowing what groups or relative quality levels I was in for from episode to episode.

Re-watching it on DVD with 5. Due to the American setting and the added s slang, ADV's English dub is just as good if not better than the original. It's even got Hilary Haag playing herself and Greg Ayres playing himself, what more could you want? The re-watch also came after I gained my inexplicable appreciation for GONZO; this is definitely one of their better works as far as character designs and animation are concerned.

By now, these guys know their trade, they know their audience, and they know what works. So things like "mysterious girl is really spiritual projection of girl in coma, subsequently disappears" weren't so shocking, because I'd seen them before and could see them coming. But that doesn't mean that you will too, if you're not as familiar with the genre as I happen to be.

And that doesn't mean Clannad is overly stale, either. Clannad shows the results of a refinement process, correcting for shortcomings of earlier adaptations and adding new pieces to the puzzle. While this is a "based on romance game" anime, I can recommend it with few reservations to those who aren't hardcore fans of the genre, as long as they don't outright hate it.

The moe component of Clannad is not quite as "in-your-face" as it was with Air and Kanon ; it's faint, but it's still there. And unlike those past adaptations, only one girl has a major supernatural backstory component. For those who thought the other adaptations suffered from discrete-arc syndrome, where girls disappeared from the story after their arcs concluded, Clannad works to keep all the characters involved on a regular basis, even while focusing on individual girls' arcs for a few episodes at a time.

The downside of this is that things take on too much of a harem vibe, at least more than I'd like to see for a show whose source material is not harem in nature. In fact, the main theme of this "sad girls in sakura" series is billed as "family," and while not a remarkably complex theme, it works well enough from a feel-good perspective. Of course, it goes without saying that the overall package looks and sounds great, thanks to KyoAni's usual quality especially the "fight" scenes and KEY's character and sound design.

While I couldn't see it as a superb piece of work, Clannad met my high expectations with flying colors. Dousoukai is like the anime version of "St. Elmo's Fire" or "Big Chill," in that it's about a post-high-school group of friends and the relationship intrigue between them. For what it's worth, the story is passable, with a range of cute and hot girls as eye candy. Actually, the removal of the hardcore scenes in the downloaded version makes this OVA seem more romantic and character-driven, though the real version probably feels more like a string of sexual encounters with something contrived to connect them.

Not that bad, but beware Engrish subtitles, because that's probably what you'll get if you seek this one out. Just as I liked Full Metal Panic! That's not to say it's too serious, though. Code-G has been accused of being nationalistic, and while I can sort of see where they're coming from on that one, it came off to me as an entertainment product first and foremost. Sure, there are some parallels that can be drawn to real-world situations like the Iraq war, the Palestine situation, and American policy in general, but Code-G's real appeal comes down to the mecha fights, the remarkably-Death-Note-esque supernatural abilities, and of course the girls.

The mecha fights get a little crazier and less believable as the series goes on, but they at least start out with plausible premise. There's plenty of great "blood-pumping" music to accompany those fights, too -- any number of tracks will let you know instantly that something awesome or at least cool-looking is about to transpire.

As ridiculous as the Power Of Geass seems, it's at least internally consistent enough to make sense in context, and the show is adept at giving us cliffhangers involving Lelouch's use of the power to get out of tough military and romantic situations. Some of his schemes are farfetched, but others are brilliant enough to make one stand up and cheer. After an intense final showdown, the end of the season brings out the biggest cliffhanger yet, and it was good enough that the wait for the second season could not have been short enough.

Apparently, the theory on CG2 is that the runaway success of the first series in a latenight timeslot prompted a move to an evening timeslot for the second season, a timeslot traditionally associated with more mainstream shounen anime like Fullmetal Alchemist and s-CRY-ed.

As a result, the creators had to retool their original plot designed with latenight broadcast standards in mind to After untangling the web woven by Season 1's cliffhanger and getting the story back on track, CGR2 continues along fine for awhile. There's some great romantic hijinx, which of course were what drew me to the Code Geass franchise in the first place. But somewhere in the range of eps , Things Go Wrong. No, not merely for Lelouch's situation, although he does have quite a bit to deal with, but for CGR2 as a production and as a symbol of quality storytelling in the eyes of the audience.

Which is ironic, since other rumors say that some plot elements got written in because of suggestions from the 2ch image boards, i. So to say the least, the middle section of CGR2 is brimming with leaps of logic, plot holes, bizarre deviations of character, random allegiance toggles, Gundam-Wing -esque nonsensical politics, and many of the standard action death avoidance tropes, such as No One Could Surive That , I Got Better , and Never Found The Body.

It even inspired the creation of the "Code Geass R2 Inverse Laws of Lethality and Mortality," which boil down to "If you get shot with a single bullet, you're going to die. But if you get riddled with machine-gun fire or caught in a huge blast from a weapon of mass destruction, you've got a good chance of living. So is R2 a bad or unenjoyable show to watch?

You might think so from my description of the middle section, but nothing could be further from the truth of my experience with R2. Throughout the series, I looked forward to every episode, just to see what crazy shyte they would come up with next. Many call R2 a "trainwreck. Trainwrecks are awesome , especially if you see them firsthand.

So CGR2 has all the awesomeness of a trainwreck, with none of the real-world consequences like loss of life or property damage. I may have to revise that 2-drink per-ep minimum when watching 4 or 5 eps on DVD, though.

If you've ever been uncomfortable or dismayed with the amount of titillation fanservice in an average anime romantic comedy, then believe me, Colorful isn't for you. You have to enjoy ecchi for ecchi's sake to enjoy or tolerate this episode anthology of short vignettes. The style of Colorful varies widely, with normal anime-type drawings one moment to semi-crude animation that seems more at home in South Park or Aqua Teen Hunger Force.

The overall experience is akin to a frenetic session of channel surfing, as the vignettes skip between characters, storylines, and situations with no evident connection other than the "appreciation" of the female form and the undergarments adorning said form. At its core, Colorful is "lust externalized"; it discards the social restraints on the mental leering, drooling, and undressing that takes place in the male minds, and manifests those reactions in reality. The results are a cavalcade of raw, raunchy, and just plain wrong antics coming from the henpecked and horny male characters.

ADV's presentation of Colorful takes that moral line in the sand out back and shoots it like a rabid dog, thanks to Steven Foster's more-irreverant-than-usual English dub. That's the only audio track I've listened to at this point, but I'm assuming that the Japanese track can't exactly be tame, based on the subtitles. The comedy abates a bit around episode 9, but it's still very worth it. In retrospect, the series does have some flaws that I sort of ignored on first viewing. The pervasive dotcrawl doesn't help things any.

These are evident in the abundance of girls that show some kind of attraction to Kazuki, and the episode length doesn't allow for enough development of each and every one of them. So if you hate dating-game anime, be warned, but if you like that genre and appreciate its female characters, then full speed ahead.

Watch for the background Magical Girl show, "Card Master Peach" that becomes a running gag in the show. One strength of Comic Party Revolution is that compared to the 1st series, it doesn't seem quite as much like an advertisement for the production company's product, "To Heart. Animation is changed and upgraded over the quality of the 1st TV series, and the plot, such as it is, continues Brother Two's attempt to conquer the doujinshi world.

Other than that, we get parodies of the sports, action, and horror genres of anime, as well as more of the cute girls like Mizuki, Chisa, and the rest. Leaves things open for more, so we can hold out hope But this age where yen apparently grew on bonsai trees also produced some of the worst OVAs of all time because nobody had to say "We don't have the budget to fund that lame idea.

Cosmos Pink Shock isn't an all-time classic, but it's far from terrible. From what I've read, it's an adaptation of several parts of a story that was serialized in a magazine. The result is a disjointed, incomplete amalgamation of random events, centering around a rampaging rocket ship and its ditzy pilot and loosely tied together with narration that seems to mirror the audience's response of "Uhh, I'm not sure what's going on, but isn't it cool?

Historical value aside, there is a decent half-hour of entertainment to be found here. As long as you don't expect an epic storyline, the random events are amusing enough on their own, and they do build into something approaching a coherent, if utterly open-ended story.

CPS wisely doesn't try to make the viewer care about too many characters, other than the protagonist and a few others. There are a few segments that introduce groups or even whole races of characters, but you get the feeling that CPS is saying "I'm not going to obsess over these guys too much, and neither should you.

Still very worth checking out for the fight scenes, the butterfly animations, and the pure fanservice chase scene as Spike returns to the city. Some elements are a bit too reminiscient of some TV episodes, like Spike's brush with death in Jupiter Jazz, and Vincent Volaju's general similarity to Vicious as a villain. The fact that "Knockin' on Heaven's Door" isn't plot-essential is a positive point; I first watched it with minimal knowledge of the series, and still found the same charm in the characters that they bring to the TV series.

But if you get past all that to focus on the dialogue, CotS is a well-written series that makes one want to go out and check out the source novels. While the space battles fall below Star Trek on the excitement scale, the story is rewarding tor those who get into it. I particularly liked the construction of the Abh race through the narrations and through Lafiel's unexpected reactions to various events. The romance between Jinto and Laffiel, while it doesn't advance much, is amusing to watch and doesn't follow anime romantic conventions.

Speaking of Laffiel, her character design is pretty enough to be called a "beauty of the galaxy," especially in later episodes when she gets out of military garb and gets into civillian clothes ; At any rate, despite subpar animation and several shifts in tone and setting, CotS' story is satisfying enough in 13 episodes, and effectively leads into the subsequent Banner of the Stars series. And speaking of Star Trek , it's in your best interest to stay a few light-years away from the English dub -- the actors all graduated from the It's perhaps the only English dub that is somehow more awkward and unwieldy than a straight reading of the subtitle script would've been.

I watched CHS almost entirely in English, and I didn't feel like I was missing out on anything--the dub voices are great, the humor is still there, and the DVDs have great explanations of cultural oddities and very obscure references. Like its accompanying manga, the artstyle is fairly distinct from most other anime out there, so if you're looking for something that "doesn't look like everything else," CHS may fit the bill.

There's absolutely no romance or cute female characters, just a bunch of delinquents and their antics. And no, the last episode doesn't count, though it does manage to provide a good closing to a type of show that doesn't lend itself to solid endings.

I'm sure it's no worse than the series, but seeing all these anime-isms transited to live-action recalled memories of Power Rangers, and not in a good way. The ending was a tad emotional in a "sympathy for the villain" way, I'll admit that much. Seeing this movie get licensed was definitely a surprise. Recommended for Cutey Honey fans, lovers of camp, and I'm not sure who else. Geist , but Cybernetics Guardian is a disjointed mess. It feels like you're watching a movie on TV while occasionally skipping to other channels and missing a few parts.

Only there is no channel-skipping, and those missing parts that might've made the movie coherent simply don't exist. But at least there's mecha with skulls on them, and probably some people getting ripped apart, IIRC.

TV Good D. Not to mention a episode 2nd season, but I haven't seen that one yet. Within the genre, it's a high-quality entry, but it's so unquestionably for the fanboys that it's not going to make any new fans of romance-game-based anime or increase the respectability of the genre.

It's almost as if the adaptors didn't know what to do with the increased episode count, as the first episodes are exceptionally short, and the middle third of the series has "side stories" at the end of every episode showing vignettes of the girls searching for and meeting some "Lord Cat" type of character.

One side story is genuinely scary, I can't deny that. And make no mistake, DC is all about the girls and their connections to one lucky guy, Junichi Asakura in this case. The girls are different from each other, but still mostly fall under dating-game archetypes. So DC spends the first 14 episodes with Junichi hanging around with this assortment of girls doing all the usual things and establishing the show's main love triangle.

And there are some amusing moments, particularly the symbolism of a wind-up key. Also of note is the episode he spends "playing boyfriend" with one of the secondary girls to ward off her female admirer. But after episode 15 recaps the series, things suddenly turn darker and consequently, better. And this is where the apparently "random" structure pays off; the time Junichi spends with the various girls allows DC the anime to show one of the game's endings or at least some kind of resolution with the girls, leading to several touching moments and episodes.

Of course, this is all helped along by the supernatural elements, like Junichi's ability to see others' dreams and the magical, never-withering cherry trees. Although it falters a bit in the early going, DC stays strong to the end. And a mini-editorial on these kinds of anime: Too often game-based anime like Kanon, Da Capo, and Shuffle get downgraded as "harems" like Tenchi, Love Hina, Ai yori Aoshi , and Girls Bravo , just because it's "one guy with a bunch of girls.

In these games, you choose to woo one girl, generally forsaking all others; most aren't "score with a bunch of girls" harems. So while DC and similar anime may seem to suffer from female character overload, keep in mind that it's all about being faithful to the source. Angel TV Good Cute, funny, and romantic--for some reason, I found myself rooting for Dark to deceive the law and steal stuff, because it was such fun watching him do it.

After awhile, the romance and comedy pick up especially with Mio's odd brand of Japanese , heading into the somewhat misplaced final two arcs. There's definitely a feeling of "we had more manga and we needed to fit in what we could," but DN Angel's ending still provides enough closure for the anime's events.

And yet these sci-fi convention openers truly embody the essence of "anime. It's simply a dazzling, dizzying succession of random images and sequences, while ELO's "Twilight" --I think, I don't have access to the videos as I write this-- plays over it all. I wasn't around for the VHS-era of fandom, but I imagine this would bring a smile to the face and a tear to the eye of any oldschool fan. Daimidaler: Prince vs. If you answered A or B, I'd recommend not watching DearS, but if you're leaning towards C, dive right in and enjoy this amusing dose of wish-fulfillment.

Though not quite at the level of the manga, the girls are very pretty, and while there is a slightly disturbing slave theme and BDSM costuming, it's not as bad as the OP, "I'm your Slave" suggests. Although the story feels like it's been done before probably because of this anime , there are many genuinely funny moments, thanks to good comedic timing and use of double takes, particularly in one scene where Takeya casually converses with Ren in the bath with a delayed reaction to her presence.

Despite the pretty art, the characters' personalities aren't that distinctive--Takeya is the typical anime lead male who freaks out at real-life nudity, though at least he has a healthy porn habit. Neneko is Childhood Friend Ver. And why must all these characters be tragic orphans or have parents that conveniently work overseas, anyway? The ending's a bit open, but there's still plenty to like along the way, including episode I guess the critics answered A or B.

At any rate, this anime compelled me to go out and buy the manga after 6 or 7 episodes, so it's done its job. DN was effective at presenting a dark fantasy that was simultaneously childish and complex infantile revenge "ultimate power" theme combined with tough ethical questions of good, evil, and the ethics surrounding the usage of such powers , and Madhouse was up to the task of making the animation detailed, lifelike, and much more "Japanese" in character design compared to the average anime.

The music was also key in setting the mood for grandiose scenes of elimination and more subtle "cat and mouse" moments between Light and his rivals. And this "sectioning" issue is one of my problems with Death Note ; the first third was very impressive, the middle third was good but not excellent, and while the final third did a good job bringing things to a conclusion, it lost a lot of steam and just didn't have me enthusiastic about sitting down and watching the episodes.

Part of that is the introduction of too many new characters in the last of three "acts" something that traditional drama would never do and the elimination or marginalization of interesting characters from the earlier parts of the series. The Shingami s , for example, are almost non-existant in the final third until the very end, when they were such an integral part of things early on.

Maybe the characters introduced in the last act had more background in the manga that I should've known about, but I mainly found them to be distracting interest-killers. While the ending has an appropriate buildup and resolution, I couldn't help but think that Light had de-evolved as a character and made mistakes in the 30s episodes that he never would've made in the first ten episodes.

Maybe that's the point, and maybe I missed it, but because of these issues, DN wound up being a pretty good show, but nothing earth-shattering or amazing to me. Basically, this is a bit of extended fanservice for fans of the Graduation game and 2-episode OVA that were popular in Japan in the mid s. DDC is an excuse for the girls of Graduation to play out an alternate-world scenario involving kidnapping conspiracies, special attacks, and a whole lot of random ass-kicking and wanton destruction that only 90s anime can provide.

While all this may sound cool on paper or on html, it's not. Watching DDC without that prior exposure is like being on the outside looking in on an in-joke that you just don't get. It's good enough that it seriously improves the show, yet from the few scenes I sampled with the subtitles on, it doesn't change a whole lot of the content. It mainly improves on the original lines to make them more natural and significantly more perverted than the Japanese script.

The mouth-covering desert gear is also a godsend, as it allows the addition, subtraction, and transformation of lines without worrying about mouth flaps. It may be strange to talk about the English dub before all other elements of a series, but for me, Funi's dub seriously made Desert Punk worth watching. Actually, it's a reasonably good post-apocalyptic desert action series featuring the rougher side of Gonzo's visual style.

Kanta is one of the most deliberately unlikable main characters around, but that makes his mis adventures more compelling; as you partly want to see him get away with his acts, while also hoping that he gets what he deserves. Throughout DP, Kanta manages to defy viewer expectations in his journey as a true anti-hero. There is a bit of a plot going on in the background, but for the most part, it's about watching Kanta chase money and boobs, and seeing Kosuna as his younger, sensible apprentice.

The conclusion isn't the most satisfying ever, but again, Funi's dubbing makes getting there more enjoyable. Offhand, I don't remember anything else of note. Di Gi Charat is cute, weird, and "lowest common denominator" at the same time, nyo. Most of the animation quality goes into the chibi girls, nyu, with the rest being minimalist figures, nyo The 16 episodes will run by in a flash, gema, so if any one part is annoying, nyo, take comfort that it won't last long, nyu.

Did I mention that Di Gi Charat is one of the most in famous examples of characters adding nonsense syllables to their sentences in order to sound cute? And not a bad one, by DGC standards anyway. It's a rather tender look into Dejiko's past and family life on Planet Digi Charat, as well as some sympathetic insight into the normally evil Piyoko. Some of the usual insanity is involved, but if that didn't stop you from watching the TV series or other related specials, it shouldn't stop you from watching this movie.

But I watched it anyway because I'm a completionist masochist, and was treated to a Christmas adventure on a cruise ship where Dejiko and the gang try to celebrate in their own way, and Piyoko in one of her more sympathetic moments yearns for presents and familial warmth as well. A nice change of pace the usual discordant chaos.

The first episode is a fairly typical Dejiko vs. This Summer Special is essentially a 2-note affair: one of those notes being "It's so hot, what do we do? We do see the introduction of Pyocola "Piyoko" Analogue in the first ep I was a little confused upon watching Leave it to Piyoko!

Still, they were 10 minute episodes that had me checking the remaining runtime quite a bit. Then there's a lame battle of the bands and other typical summer fare like ghost stories that we've all seen a thousand times. Actually, while skimming through the episodes to write this comment, they didn't seem that bad. I'm still going to stand by my original rating that was based on trudging through the complete episodes. Di Gi Charat: Winter Garden special So-so If you're an old-school console gamer like me, then you're probably familiar with the history of Super Mario Brothers 2 , the game with the vegetables, potions, and that blasted key guardian, Phanto.

You may be wondering, "what does any of this have to do with Winter Garden special? Is that a bad thing? Not necessarily, but the result is that the events of WG have no relation to anything from any other DGC anime. Similarly, the characters have nothing to do with their characterization in the DGC anime, although the "all grown up" look isn't bad. There's none of the annoying antics or gross-out humor that I've complained about in the rest of the DGC franchise.

But then again, it was those things that gave DGC its identity. Strip them away, and you get a disjointed sequel at best, and a crass cash-in attempt at the worst. Diamond Daydreams TV Very good If you want something that's a change of pace and setting from normal anime, Diamond Daydreams is a great choice. In the tradition of other "anthology" series like Sentimental Journey and Seraphim Call, DD has an episodic structure, with roughly 2 episodes per story.

Decent character artwork, pretty backgrounds, and plots that, while a bit melodramatic sometimes, still differ enough from standard shounen and shoujo romance to be interesting. The background music is also noteworthy, using a mix of modern and traditional instruments to set a relaxing mood.

I found that it enhanced the "wintery" feeling of the series, even though I watched it as the DVDs came out in February-June. The closer fits the show's mood much better, though I still liked the cute and bouncy opener.

My favorites are the Atsuko, Karin, and Akari stories, although they all manage to tell compact stories and tie in the "Diamond Dust" myth effectively. Voiceacting is good enough to make it watchable in either language, although some of ADV's name pronunciation errors irk my purist sensibilities. Some may find it a bit boring, but that's okay; even I had trouble staying awake in a few spots.

The comparisons to school slice-of-life comedy Azumanga Daioh are inevitable, although the manga source predates Azumanga's by a few years. However, whatever artistic charm the manga may have had, the anime drains most of it away. Almost everyone's eyes are the same color, hair is rough and simplified, and most of the "action" relies more on text and dialogue than actual animation. The "loli teacher" who is actually my age as of this writing isn't a bad idea, and it's a change of pace from the recent spate of "kid genius" teachers.

Mika Suzuki's class is full of quirky characters, so there's plenty of potential for comic interactions Why is DDSH so relentlessly unfunny most of the time? I believe it came down to a simple math error. Somewhere in the writing process which theoretically doesn't involve math at all, but this is the only explanation that makes any sense , somebody got a fraction reversed. Instead of having 20 jokes per episode, DDSH has 1 joke in 20 episodes. That 1 joke is "These characters have these personalities, and they will react like this in these situations.

The basic framework is built around the standard school events and holidays, so expect episodes centered on Golden Week, summer vacation, the end of summer vacation, sports day, culture-fest, Christmas, New Year's, Valentine's Day, White Day I think and any that I might have left out.

In short, everything you've seen a dozen times before in a dozen other school shows. Maybe newer fans will appreciate it more, but I can't imagine newer fans being attracted to something like this. I will say though, that things improve in the "Gold" OVA episodes , when they dispense with the normal flow of time and start doing massive shifts in genre and frames of reality.

Those helped DDSH avoid slipping further down in my ratings. There's just no compelling reason to go on to any given episode after watching the previous. Heck, most of the time it had me thinking, "Okay, I'll skip the song, then it's only 10 minutes to the eyecatch, then another 10 minutes to the ED, then I can stop the episode and switch to something else. It seems like the best they can do is "passable, for open minds" like the "My" series, or "just as awesomely cheesy as the show demands," like G Gundam.

I sampled a later episode of the English track, like 17 or 18, just to allow enough time for the actors to have gotten into their characters. They hadn't. For whatever flaws the Japanese track had, at least there was some enthusiasm present. If you can appreciate absolutely absurd medieval mayhem with heaps of fanservice, Dragon Half is great for a quick laugh. There isn't any real story or plot to speak of, just characters wailing on each other with swords, magic, firebreath, classic anime mallets, and anything else you can think of.

I loved the 90s self-referentialism, too That combination always makes for an entertaining English dub, and E's Otherwise is no exception. The dub dialogue was consistently funnier and snappier that what I followed in the subtitle script, and had some of Moynihan's amusing standard Hollywood references like "dodge this! There's lots of bold, colorful character designs that are never hard to tell apart.

Asuka Tokugawa is one of the most moe female characters I've ever seen. She doesn't lose anything in comparison to any KEY girl or other moe favorites. She's mind-blowingly endearing in every scene she's in, and definitely helped hold my interest in the series. That kind of puts a hole in Tyrenol's lauding of E'sO as a series from the good ol' days before moe took over. The actual series' ending That's not saying much, but it is saying something. It's mainly the guns and gunplay that get ridiculous, with the standard "gunslinger bad guys can't hit the broad side of a train, but untrained heroes hit the mark every time" rules in effect.

You could say that it strains credulity to have a bunch of 19th century American women able to effectively use firearms, but "hot chicks carry guns and shoot stuff" is par for the course when it comes to anime. There's certainly not much of a plot to speak of, but Early Reins is reasonably entertaining enough to make 45 minutes go by. Oh, and you might think that the English dub is the better choice due to the setting, but you'd be wrong -- it's done by the folks at Arvintel, the studio responsible for such nadirs of dubbing like Green Green and Bible Black.

Eden's Bowy presents a fascinating world of blended science fiction and medieval fantasy, and its floating cities are a good enough hook to intrigue anyone. However, its execution is wildly uneven. Some episodes are logical, well-paced, and emotionally resonant. Some are too boring to easily stay awake through, and others see the characters go against previous development and common sense. So the rating represents an average of the two extremes, not a "the whole show is like this" value.

When it's good, Eden's Bowy is great, but when it's not, you might find yourself in wtf-headscratch-land. Hailing from the spring of , EB looks more dated than some of its contemporaries like Dual! But if you're looking for something a little more old school, it'll be up your alley.

Like many MI dubs, the acting is all over the map, but the writing is good enough to make the dialogue more entertaining. Still, it's got large-scale grandiose action, coupled with some truly disturbing imagery. Overall, I found Eden's Bowy worth the journey, but was it ever a bumpy ride. Part of that is because of the circumstances -- we started watching it at an Anime Club marathon, but 3 minutes into it the club officers put the kibosh on it.

So we had an afterparty with about 20 people in various stages of intoxication crammed into my basement watching the two episodes and laughing our asses off at how totally wrong and inappropriate the situations were. And trust me, there's plenty to remind you of hentai if you've seen a fair amount of it. And the parody is well-done too; you've got the standard "leading lady," the little sister, the alluring older woman, the clumsy "I'll do my best, DESU" girl, and all the other stereotypes we know and love.

There's no significant story, no real ending though there is a substantial amount of manga , but it doesn't really matter. If the ecchi levels of series like Girls Bravo, Love Hina or Mahoromatic are too high, for you, then Eiken is waaay over the top, so be warned.

But it's definitely better to watch with friends and booze involved than to watch alone. Or failing that, at least have booze on hand. It's fine for new fans, with its plucky headstrong shounen hero and fantasy fighting action. On the other hand, veteran fans will be too busy noticing animation flaws and "elements" ripped off from other series. The best moments of EG involve side or oneshot characters, like an Edel Raid who realizes that her scale of time is far different from her former human master's.

Unfortunately, these good moments are few and far between, cancelled out by moments of sheer scripted stupidity. Chief in my mind is a town that Kou and Ren go to where every building is built with a "keystone" at the peak of the roof. These keystones, if destroyed, will cause the building to collapse. Of course, our hero has to destroy one of these keystones to thwart some minor villains' designs on the village. But let's back up a second.

They intentionally build structures that will collapse if one stone is smashed? What The Hell?? Somebody just failed architecture forever, and not one character in EG is smart enough to realize this. IIRC it wasn't heavily downloaded at the fansub level, but those who did see it knew it was mediocre, derivative, and not worth watching again. And then those people spread their opinions in blogs and fan reviews to the point where people who didn't watch the fansubs decided that it wasn't even worth watching once.

I do have to give credit to Ocean Group's dub for making the most out of the source material, though. Since it is only 2 episodes, I'd say that you may as well watch it, but at the same time, I'd also say that you may as well not watch it. Since it wasn't released by ADV with the series, it's not extremely hard to find online if you go searching for it. The "there can be only one" tournament format is nothing new, but the "all girls have story pages inside them" and metaphorical key-rape concepts are innovative enough.

As with some other Kaishaku works, forbidden love plays a part here, in the form of a love triangle between twin siblings and the younger sister's crazed lesbian friend. All in all, a hit or miss series, but it hit well enough with me. Etotama TV Decent Evangelion: 1. You have seen them, right? Because you know that if you haven't, men in black suits cat girls wearing thigh-high stockings and miniskirts will come to your house and take away your "Certificate of Anime Fandom Certificate," right?

That's pretty much what you're getting with Evangelion: 1. Sounds harsh, but that's not entirely a bad thing. Only somewhat. The storyline follows quite closely with the beginning of NGE TV, minus the "Jet Alone" incident and plus some additional character revelations and backstory reveals within the last 15 minutes. Supposedly the second movie delves into more original content. But even with the rehashed content, Eva 1. The visuals in NGE TV were groundbreaking in their day, and still remain impressive today, at least before the budget breakdown in the final quarter.

Seeing them get the movie treatment is a definite treat, particularly in the film-ending battle with the d8 Angel. The "gathering all electricity in Japan" scenes are even more mind-blowing than they originally were.

If you never cared for NGE, Eva 1. If you only casually liked NGE, Eva 1. But if you're a fan of the franchise, you'll get enough out of the movie to make it worth your while. And finally, if you haven't seen NGE at all, Eva 1. Also know that if you fall into that last group, I'm jealous of you.

Not because you've got the experience of one of anime's marquee entries ahead of you, but because of the catgirls. Evangelion: 2. This series dethroned Scrapped Princess as my favorite series back in December Right of Left fills in some of the gaps in Tatsumiya Island's history of maneuvers against the Festums.

Everything looks, sounds, and feels as good as it did in the TV series, and it's interesting to get a few glimpses of Soushi and some of the other characters before they assumed their primary roles in the island's defense. And like some of the best moments of Fafner , this special revisits the meaning and value of sacrifice in the struggle against powerful enemies and overwhelming odds.

I don't know if Right of Left would have fit in during the airing of the main series -- the drastic historical flashback could have wrecked the pacing. But it is a shame that Geneon didn't release it along with the TV series; it would've made a nice extra, maybe split into two parts on discs 6 and 7. Most of these "ordinary Japanese teen gets whisked away to fantasy adventure world" anime have female main characters, but FoZ scores distinction points for having a male protagonists.

And not just the standard male protagonist you'd find in typical harem anime, either. No, after Saito Hiraga finds himself summoned to a magical alternate world to be the familiar of a pink-haired flat-chested tsundere named Louise, he makes the most of the situation, and takes active interest in some of the other girls at the school.

To a great extent, he deserves the sadistic punishments handed down by his mistress. This is not "guy accidentally stumbles into girl and gets his ass dragon-kicked across the Milky Way" territory. JC Staff has created a colorful and appealing fantasy world here. And of course, it's not hard to guess that most of this "appeal" lies in the female characters. These characters benefit from an all-star voice cast.

To put it concisely, it's fantastic. I'd put it right up there with Last Exile , Scrapped Princess , and Wolf's Rain as a series that captures the elusive "epic adventure" feeling. Beautiful backgrounds that make you think you're looking at a painting, varied character designs that show the right emotions at the right times, sufficiently fluid action scenes in both hand-to-hand combat and sci-fi technological combat, a strong piano-driven score that sets all the right moods FC builds up layers and layers of mystery as some characters investigate the past, others try to make sense of the present, and others seek to forge the future.

What's impressive about FC is that once this mission is fulfilled, the story turns to a second arc that shifts away from the primary characters for several episodes, yet still retains interest and relevance on the part of the viewer. On the part of this viewer, anyway. The end is filled with emotional moments and revelations that make sense of previous information without feeling like a last-minute "exposition dump.

Maybe I just wasn't paying attention. Some lines and scenes get a bit repetitive, but when the final episode and the DVD-extra special ending came to a close, I felt I'd gotten a solid show and more than my money's worth, and the FC DVDs were rediculously cheap even upon initial release.

Don't let the "childish" title or the retro big-nosed character designs scare you away -- FC is definitely worth it, especially when the inevitable Anime Legends collection comes out. Word of caution: the ANN reviews warn that the English dub is beyond awful, and I didn't check to verify this. I recommend following their advice and pretending that the dub doesn't exist. Since I never played the Fatal Fury video games, I didn't feel much of a connection to the characters or their situations.

But there are some decent fights, hot babes, and an appropriately cartoony final battle to cap things off. Plus, the English dub the only version I've seen is entertaining in a "so cheesy it's funny" way. Part of the problem probably stems from the massive amount of story in a multi-game saga that got adapted into a episode. Some characters with lots of potential get offed before they can truly shine, and other characters get their screentime awkwardly extended by assuming roles incongruent with their former selves.

And the biggest character problem is Shirou Emiya, one of the most bull-head, chauvanistic lead males in recent anime. It's admirable that he's so altruistic and well-meaning, but his "No, don't fight, Saber! I can do it! Sure, those abilities get explained in the end, but by the time Emiya utters his meme-orable line, "People die if you kill them," the first thing in the viewers' mind is "O RLY? The only problem with the action comes in the ever-shifting parameters of the Holy Grail War -- at times, you'll see a resemblance to playground wargames, as in "Bang!

I killed you! Although the ending doesn't conclude the greater story, it's still reasonably satisfying. One unique aspect is the minute episode length, which makes F17 effectively a 26 episode series and allows for a slow, reflective pace that lets viewers better understand and empathize with the characters. If you just want action though, look elsewhere. As another added benefit, F17 is not loli at all, unless you count some brief scenes during the theme song.

Overall, Figure 17 can be a great experience, as long as you don't mind a slower pace, and I sure don't. Marlene: No, because they spent all the budget on graphics and got the script from fanfiction. Even so, the animation is a site to behold throughout, and seeing the post-game world is a treat.

Great use of FF7 music, especially my favorite track, "Jenova. Nice little story, if a bit short, but I don't remember it as being all that good. Decent voice acting from mainstream movie stars, and some fast-paced action scenes make FF TSW an enjoyable experience, even if it wasn't quite what everyone expected. True, it's childish, and doesn't live up to the legend of the games, but there is a lot of imagination in the character designs, backgrounds, and even the sometimes awkward CGI.

And not that I'm racist, but you can definitely notice the lower-quality Korean-outsourced animation in many scenes. The cancellation of the second half hampered the plot, but there's still time for a few storytelling gems. Half the time, you'll be torn between the opinions of, "What were they thinking? Many episodes are relatively aimless "Group winds up in new Wonderland section, trouble shows up from The Earl or local dangers, Kaze arrives to fire his Magun and save the day, roll credits" stories.

The Japanese VAing didn't hold anything outstanding, as they can only do so much with a script of this level. The English dub isn't one of ADV's better efforts--annoying voices for the leading roles of Ai and Yuu such creative names! It worked for "Bimmo-baby" in Golden Boy , but it doesn't work here.

To sum things up, don't watch Final Fantasy: Unlimited because you're a Final Fantasy fan -- watch it because the thinpack or singles are cheap, and some of its elements happen to look intriguing to you. I liked the ending, and liked a few episodes along the way, but I can't say it was good overall, though I've seen worse.

The distinctive parts about First Kiss Story are that it has a female lead and focuses on a long-distance relationship. The indistinctive parts are Since I've seen a lot of the romance OVAs out there, I had to skip back through the episode just to recall what the characters and the story were all about.

That was also the beginning of a sad destiny that would soon lead all of the four solar systems into war. Around these three goddesses who possess terrible power, revolved a legend that was now unfolding. Man, we're in for some large-scale battles, rich characterization, and an intricately crafted cosmology, right? Sure, it sounds impressive, except True, there is a large-scale and interesting sci-fi world built in Five Star Stories , along with some decent 80s-animated action, but they leave so much unfinished that it's almost not worth it at all.

To be honest, there is a story there, though it's more an exploration of various themes, mainly about maturing and growing up. Short but sweet, FLCL contains Haruko, one of the craziest and most memorable characters in recent times. References too many to count, ranging from South Park to random motorcycle commercials. Not recommended to new anime watchers, due to the extreme speed, density, and weirdness of everything. Very "experimental" animation, with extreme distortions, manga inserts, but the animation is very high quality.

Luckily for the unfortunate souls who only get their anime from Cartoon Network, Synch-Point's dub is very good, retaining all the sounds and mannerisms of the Japanese, although some of the more obscure culture references have been altered. Since FLCL is too short to tell more of a complete story, it gets downgraded one notch to "excellent. Omocha no Kuni wa Himitsu ga Ippai!? It may take some swallowing of pride to enjoy Full Moon wo Sagashite, but if you can get through some questionable comedy, awkwardness, and fillers during the first half, you'll get a very rewarding drama at the end.

The premise exemplifies the balance of cuteness and tragedy; cute girl, the cutest Shinigami ever, but an undercurrent of sadness and foreboding throughout. If you can get through certain episodes in the early 40s without a tear in your eyes, then as Aerosmith would say, "mister you're a better man than I. Full Moon o Sagashite: Cute Cute Adventure special So-so An amusing extra, probably some manga sidestory that wasn't animated in other episodes.

Nothing too special here, but it's a nice addition. In truth, I'm being a bit harsh, possibly because the TV series had set my expectations so high, and a couple of years and forum spoilers passed by between finishing the series January and watching the movie July On the production side, it lives up to "movie-quality," with plenty of alchemy fanservice scenes for the action fans.

Never seen anything else like it. To the best of my knowledge they are extremely ethical, post up only legitimately-available-in-the-US material, and strictly observe a ban on US-releases. Like I said, AA and BBT was my hot combo, and I thought it would be a nice touch to give somebody the ability to click right over to download after finding something they found interesting.

One last detail for now, in the interest of Full Disclosure: when I transferred the reviews over, I left them largely alone. Like Liked by 1 person. I know that there was very much a website there! Really glad somebody has found a way to preserve the content at least. Thanks for making my day! I salvaged nearly everything from the Internet Archives and rebuilt it. If you cast your mind back to the time before last when the AA went down, it was because a credit card expired.

There was a lot of faffing about contacting everyone, figuring out what the problem was, and deciding who would pay for what. But it worked out eventually. I only went on the forums on occasion to see if anyone needed ban-hammering and to follow a handful of threads in the Misc and Manga subforums.

Eventually, my old credit card expired and I decided not to renew it because it was paid off and credit cards are insidiously horrible little money sinks. I have to admit that I had completely forgotten that I was using it to pay for the AA. This time though, no one was around to do anything. Worth noting as well, I looked into how I could get it back up and still, after all these years, the webhost only took American credit cards!

To be brutally honest, at this point, I let it die. Like Liked by 4 people. I heard from L-Sama a while back, you may have seen our correspondence in the comments, I think they are visible publicly. Apologies for not replying to you sooner, things have been hectic for me lately.

For quite a while I was dreading that one of the founders would pop up and be very irate about copyright violations and such. I hoped at first you might want to contribute some new material. Odd, I never would have thought of a review site as outdated! As for the site, traffic is slow but steady, maybe a half-dozen unique visitors daily. Well, piggy-backed on my other Penny Robinson site. Do you recall what sort of traffic the original had? Just curious. Well, if you happen to encounter any of the others, please let them know about my efforts.

Hopefully, any will be just as pleased to see the old place carrying on. So, glad to hear from you, and you are more than welcome to write again, for any reason. All the best! Interesting story! Hello everyone. I happened to bump into the revised site while looking for any traces of the old Anime Academy.

Unlike Two-Twenty, I have continued watching anime after all, this habit of mine started back in the seventies , although my schedule would make it somewhat hard to continue writing any reviews in a continuous basis. Truth be told, I somewhat agree with Two-twenty on the matter of review sites. The advent of dedicated streaming services like Crunchyroll and Funimation, with their ability to have dedicated forums and voting systems per anime for discussion make reviews somewhat moot.

I do consider, however, that this format still serves a purpose for older, hard to find titles. Like Liked by 3 people. Heya, Yuri kaStar here, I kind of agree but I still think there is an important place for reviews. But what becomes important is how people understand the reviewer, they need to have a reason for you to trust their taste.

I guess that is harder to achieve now, unless one manages to become a reviewer for a big media outlet. Man, this was my go to place for finding quality anime. Thank you for doing this! And many thanks to the original team, for creating it to begin with, and for lending support here. I am surprised i stumbled on to this site. I see some of the sempai have replied soundchazer, two-twenty.

I hope you do well.. Hello this is Neo-Hunter. I was a member of the old AA. I see that some of the older sempai have been here. I am glad that this information still lives on. Thank you so much for doing this. I never posted in the forums of the old site, but AnimeAcademy was my life for years. Nothing made me as sad as its absence. Thank you for this. Hello, Kjeldoran here. Hopefully my french accent comes through.

Anime Academy was a huge part of my young adulthood. From that day, I would spend most lunches in college going downtown to either rent or return anime. Going to Otakon with the gang are definitely some of the most memorable weekends of my life. I still have and wear good quality! Did some of the pictures from the Con reports that were on the site survive? I would sometimes go back to AA just to reminisce. You know it was coming but it still feels wrong.

So thank you so, so much for putting the pieces back together again. That too was an important part of my life. You take it for granted and then one day you see that you failed to renew the domain and some clickbait malware site took it over. It really hurts. Always a thrill and honor to hear from one of the originals! So are you still watching anime, and would you be interested in making any new contributions? Coincidentally, I just posted up in a few different places requests for anyone who might be interested in doing some.

Most everything got archived. And free time is SO short! Anyway, great to hear from you and great to know my efforts are appreciated. Did it have an ongoing impact on your life in anyway? Hi all, Naota here also known as Evapilot in the early days of the forums. As with two-twenty, I was one of the old Australian members. I actually remember meeting him briefly at the Melbourne Anime Festival where I was also sporting one of the AA t-shirts, lol.

Like Kjeldoran, Anime Academy was a big part of my young adulthood. And, throughout my time working there, I continued to use and send customers to AA for the reviews. Alas, life and some rather pesky military service got in the way of my regular attendance in the forums, and I dropped off towards the end of the early s. Early members may remember that she passed away in , so last year marked the ten year anniversary of her passing — and a memorial was held in November for which I was gathering her work.

At the time, I was rather saddened that Anime Academy had disappeared but was not surprised unfortunately — for the reasons pointed out by Soundchazer. Anyway, another search recently led me to this site. So thank you Rob! If so, I am pretty sure I actually still have one of her drawings! I hope you see this, because if it is the same person, I would very much like to send it to you if I can!

So sorry again for the loss of your friend. I remember she was very sweet. I hope we can get in touch. I just remembered trying to download anime on a 56k using! Crappy yet glorious times. Admittedly I was a bit upset when Anime Academy was no longer there, but quickly accepted the fate, as this is just how life and the internet works. The IRC chat room provided many fun times; it also gave me the knowledge to join other IRC rooms, which have led to many fantastic friendships!

I both would love to see the old IRC logs and forum posts, and am terrified. I found this little wordpress earlier today and it is giving me warm feelings. Hey there. Roark here, from way back on the forums. I never actually wrote any articles, but I was very active on the forums, eventually stepping up to moderator on both the forums and the IRC. I came into AA first year of college, which was fitting somehow.

The site guided a lot of I did in founding and running the anime club on campus. Thinking through it, the site indirectly set the direction of my life. That relationship ran its course with a somewhat painful ending, and I abandoned AA for a while just to avoid some memories. But, anime stayed with me and eventually put me in position as senior management at Anime Central. My life literally would not be the same without it. Glad the work here is still appreciated!

Would you be interested in contributing any new material? I still am in contact with a few of the Brits I met on the site, but I guess it was always relatively US centric. Always good to catch up, though! Professor Ender here. I first came across AA during my freshman year of college by accident in early —I think I was hunting for some information about FLCL, which I had just seen that afternoon.

How can they give that series such a low score!? I got that chance in when I took part in the staff-search contest and it was easily one of the few decisions in my life I was legitimately proud of. Some of my favorite memories involved meeting these people at Otakon—who, in my mind, were these disembodied digital avatars with a blistering knowledge of Starcraft—and realizing just how amazing a community these people are.

Even though I always felt intimidated. I think it was that level of intimidation…scratch that, my lack of self-worth and personal anxiety that reduced my reviewing output. Ultimately, this unhealthy perspective lead me to stagnate. Even when I actually penned a review I would let it sit and sit and sit and sit….

Anime Academy still owns a decent-sized bit of real estate in my heart. I met the girl, who I would later marry, the same time I started writing for AA—I remember like the huge nerd I am telling her that I wrote for a website that reviewed anime. And rather than calling the police on me, she thought it was cool.

I have always linked those moments of happiness together. Even to this day, she has encouraged me to write something. I wrote reviews to tell people that things existed outside of a personal vacuum. Nowadays, I work with teens who frequently come up to me asking me for anime recommendations.

One would imagine that they would have access to everything and therefore not need to ask me. Anime is still a big part of my life, and so was Anime Academy. A great honor to hear from you, and especially to receive such kind accolades! It seems to me though that the sheer size of such a place is a bit of a liability more than an asset. Here, with a limited pool of reviewers, a reader can quickly determine which ones are most reliably suited to his own tastes. Anyway, thanks again for your kind words.

Oh by the way, you may be flattered to know that it was you, or your avatar, which inspired me to watch the 1st season of One Piece and post up a review based on that. All the best, and hope to hear from you again! You work with teens now and they come to you for recommendations?

Also, super nice to read this memory of the site. I also think the review site format is still important. Plus, while the cost investment has mostly gone down from the old days, the time investment in taking a gamble on something brand new remains, and intelligent reviews can make those gambles much less risky. You guys always had the best reviews.

Hory shet, how am I only just now finding this? I mean, it figures as soon as I finally obtain the professor title, the site dies. Anime Academy was my entire adolescence, man. I feel like a little part of me died with the site. In our mindsssss. But, it happens offline as well… Would be fun to get a group chat going somehow. Still saddens me what happened, and not the old wounds keep opening with Crunchy roll using the name for their segments on anime education.

First discovered the site back in when I went to see Return of the king in theaters and grabbed an issue of Newtype usa that had a page of anime websites to check out and AA stood out the most for me. It was my first ever discussion forum I joined and my first year was not my best introduction of myself to everyone else. So I acted pretty dumb my first month. But since then the rest of my time was some of the best I had online.

Made a decent amount of friends, some I still talk to to this day like Jojo and Hybridragon. Reaching the coveted posts and ever to use custom avatars, and going beyond there and making it to the top 10 posters of all time before the shut down.

Joined a number of forums after it but only about Gamefaqs and Gametrailers are close to a personal level I have or had that matched my time spent on Anime Academy. AA was quite special to me too, I never quite found a forum like it. It seems to me like that moment is gone now?

He retired a few years before AA seized to be. I hope everyone is doing well. I missed his avatar last time I re-did the layout. And thanks for the support. Priorities have changed. Many of us are fully working professionals with families to boot. I would be willing to do one or two every now and then, but I would be unable to fully commit to it the way I did back then.

Yurika — This is a link to the archive site from which I rebuilt AA, to the forums page. Unfortunately, few if any of the pages seem to have been catalogued as the review pages were. Good luck! Oh wow, this is a blast from the past. Major Tom, one of the regulars from way back when here. Stumbled across this mainly out of curiosity, I had a vent over Accel World over on the Nihon Review, and it got me thinking, did AA still exist?

I had heard it had died. Maybe , I was still doing my apprenticeship back then. But it was also the first forum I joined, and man there are some good memories. Venting about terrible shows as they were airing, manga…and the roleplay thread.

God the roleplay thread, where I played an edgy paper user obsessed with guns and mecha. Let me know if you;d like to submit a review!! Just a suggestion: maybe a tab to highlight the new reviews? That way, people who come here will be more cognizant that this is an active anime review site, not simply a long-dead website preserved for nostalgia purposes.

Hi, thanks for the suggestion. Care to offer any new material of your own? At this point, as far as I see it, no one from the old AA is in any rush to stake their claim on any of this any more. Unfortunately, you are quite right in that none of them have the same time or enthusiasm they once did. Speaking of such things though — did you find the new non-review material? Thanks for writing, and thanks for giving me a chance to yak at somebody about this!

A historical curiosity would be amazing though. This comment section even as there are only a few people is interesting to see. Hah, this is super fun to see. I was just searching because a name I saw reminded me of someone from the forums, and this is what I came to. So, this entire period on forums etc. Wish I could get in contact with people from the forums though, I think I have four or five on Facebook.

Hi there! Glad to have you drop in. If you;re looking for good forums fora? Thanks again and best wishes with the PhD work! Wow is this a blast from the past. This is absolutely nuts to see usernames like Ender and Soundchazer. Best of luck everyone. I remember Kain and other members making jokes about being old and decrepit because they were in their mid-twenties. In either event, I have since moved halfway across the country still in the USA and am knee-deep in my own career.

I have contact with some former members via Facebook and amusingly, LinkedIn.

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