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Giaimo, whose background is in traditional animation, said that the art design environment represents a unity of character and environment and that he originally wanted to incorporate saturated colors, which is typically ill-advised in computer animation. Another important issue Giaimo insisted on addressing was costumes, in that he "knew from the start" it would be a "costume film.

During production, the film's English title was changed from The Snow Queen to Frozen , a decision that drew comparisons to another Disney film, Tangled. Peter Del Vecho explained that "the title Frozen came up independently of the title Tangled. It's because, to us, it represents the movie. Frozen plays on the level of ice and snow but also the frozen relationship, the frozen heart that has to be thawed. We don't think of comparisons between Tangled and Frozen , though.

Maybe there's a richness to The Snow Queen in the country's heritage and they just wanted to emphasize that. The studio also developed several new tools to generate realistic and believable shots, particularly the heavy and deep snow and its interactions with the characters. Disney wanted an "all-encompassing" and organic tool to provide snow effects but not require switching between different methods. Kenneth Libbrecht, a professor from the California Institute of Technology , was invited to give lectures to the effects group on how snow and ice form, and why snowflakes are unique.

Another challenge that the studio had to face was to deliver shots of heavy and deep snow that both interacted believably with characters and had a realistic sticky quality. It breaks apart. It can be compressed into snowballs. All of these different effects are very difficult to capture simultaneously. The tool was capable of depicting realistic snow in a virtual environment and was used in at least 43 scenes in the film, including several key sequences.

Since snow doesn't have any connections, it doesn't have a mesh, it can break very easily. So that was an important property we took advantage of," explained Selle. It's very organic how that happens. You don't see that they're pieces already — you see the snow as one thing and then breaking up. Other tools designed to help artists complete complicated effects included Spaces , which allowed Olaf's deconstructible parts to be moved around and rebuilt, Flourish , which allowed extra movement such as leaves and twigs to be art-directed; Snow Batcher , which helped preview the final look of the snow, especially when characters were interacting with an area of snow by walking through a volume, and Tonic , which enabled artists to sculpt their characters' hair as procedural volumes.

Its complexity required 30 hours to render each frame, with 4, computers rendering one frame at a time. Besides 3D effects, the filmmakers also used 2D artwork and drawings for specific elements and sequences in the film, including Elsa's magic and snow sculptures, as well as freezing fountains and floors. The setting was principally based on Norway, and the cultural influences in the film come from Scandinavian culture.

Numerous other typical cultural Scandinavian elements are also included in the film, such as stave churches , [] trolls, Template:Sfn Viking ships , a hot spring , Fjord horses , [] clothes , [86] and food such as lutefisk. Template:Sfn [] A maypole is also present in the film, as well as the brief appearance of runes in a book that Anna and Elsa's father opens to figure out where the trolls live. Template:Sfn A scene where two men argue over whether to stack firewood bark up or bark down is a reference to the perennial Norwegian debate over how to stack firewood properly.

The filmmakers' trip to Norway provided essential knowledge for the animators to come up with the design aesthetic for the film in terms of color, light, and atmosphere. According to Giaimo, there were three important factors that they had acquired from the Norway research trip: the fjords and the massive vertical rock formations characteristic of fjords, which serve as the setting for the secluded kingdom of Arendelle; the medieval stave churches, whose rustic triangular rooflines and shingles inspired the castle compound; and the rosemaling folk art, whose distinctive paneling and grid patterns informed the architecture, decor, and costumes.

Christophe Beck composed the film's score. The songs for Frozen were written and composed by the husband-and-wife songwriting team of Robert Lopez and Kristen Anderson-Lopez , both of whom had previously worked with Disney Animation on Winnie the Pooh also produced by Del Vecho, who then hired them for Frozen [74] and before that, with Disney Parks on Finding Nemo — The Musical About 23 minutes of the film are dedicated to their musical numbers.

Seven of the 17 that did not make it were later released on the deluxe edition soundtrack. In February , Christophe Beck was hired to score the film, following his work on Paperman , a Disney animated short film released the year prior to Frozen. Under the supervision of sound engineer David Boucher, the lead cast members began recording the film's vocal tracks in October at the Sunset Sound recording studio in Hollywood before the songs had been orchestrated, meaning they heard only Lopez's demo piano track in their headphones as they sang.

Disney Animation Building in Burbank under the supervision of original dialogue mixer Gabriel Guy, who also mixed the film's sound effects. Lopez and Anderson-Lopez's piano-vocal scores for the songs along with the vocal tracks were sent to Salem, Oregon -based Dave Metzger for arrangement and orchestration ; [] [] Metzger also orchestrated a significant portion of Beck's score.

The trio's goal "was to create a cohesive musical journey from beginning to end. Pictures studio lot in Burbank by an piece orchestra, featuring 32 vocalists, including native Norwegian Christine Hals. Boucher mixed the songs at the Eastwood stage, while Stone mixed the score at Beck's personal studio in Santa Monica, California.

Regarding the sound of Frozen , director Jennifer Lee stated that sound played a huge part in making the film "visceral" and "transported"; she explained, "[i]n letting it tell the story emotionally, the sound of the ice when it's at its most dangerous just makes you shudder. To obtain certain snow and ice sound effects, sound designer Odin Benitez traveled to Mammoth Mountain , California, to record them at a frozen lake.

Pictures lot by a Warner Bros. Although the vocals, music, sound effects, and almost all the dialogue were all recorded elsewhere, the final re-recording mix to Dolby Atmos format was performed at the Disney lot by Casey E.

Fluhr of Disney Digital Studio Services. Like other Disney media products which are often localized through Disney Character Voices International , Frozen was translated and dubbed into 41 languages compared with only 15 for The Lion King. And then you have to go back and adjust for lip sync! Since , some local TV stations and independent studios have been dubbing the movie in their local languages, creating some unofficial dubs.

Frozen was released theatrically in the United States on November 27, , and it was accompanied by the new Mickey Mouse animated short film, Get a Horse! On January 31, , a sing-along version of Frozen was released in 2, theaters in the United States. It featured on-screen lyrics, and viewers were invited to follow the bouncing snowflake and sing along with the songs from the film. In Japanese-dubbed versions, Japanese lyrics of the songs appeared on screen for audiences to sing along with the characters.

Frozen also holds the records for highest number of home video units sold on the first official day of sales and in the first official week of sales in Japan. Following an announcement on August 12, , a sing-along reissue of Frozen was released via DVD and digital download on November 18, In late December , The Walt Disney Company filed a trademark infringement lawsuit in California federal court against Phase 4 Films , seeking an injunction against the continued distribution of the Canadian film The Legend of Sarila , which had been retitled Frozen Land in the United States back then and had a logo similar to the Disney film.

According to copyright infringement -tracking site Excipio, Frozen was the second-most-infringed film of behind The Wolf of Wall Street , with over Frozen became Fandango's top advance ticket seller among original animated films, ahead of previous record-holder Brave , [] and became the top-selling animated film in the company's history in late January In North America, Frozen is the twenty-sixth-highest-grossing film , [] the third-highest-grossing film, [] the fifth-highest-grossing animated film, [] the highest-grossing animated film, the twelfth-highest-grossing 3-D film, [] and the second-highest-grossing Walt Disney Animation Studios film.

Frozen is the ninth-highest-grossing film, [] the highest-grossing animated film, [] [] and the highest-grossing film. Ray Subers, writing for Box Office Mojo , compared the film to Disney's animated feature Tangled by saying that the film's story was not as "immediately interesting" and that "marketing has yet to sell this to boys the way Tangled did". Clayton Dillard of Slant Magazine commented that while the trailers made the film seem "pallid," positive critical reviews could attract interest from both "core demographics" and adult audiences, and therefore he believed Frozen stood a good chance of surpassing Tangled ' s Thanksgiving three-day opening record.

When Frozen became a box office success, Bilge Ebiri of Vulture analyzed the film's elements and suggested eight factors that might have led to its success. Scott Davis of Forbes credited the film's commercial success to its marketing aimed at both sexes, and to the success of its soundtrack. The commercial success of Frozen in Japan was considered to be a phenomenon [49] which received widespread media coverage.

Released in that market as Anna and the Snow Queen , [] [] the film increased its gross each week in its three first weeks of release, and only started to drop in the fourth; while other films usually peak in the opening week and decline in the latter ones. We found the perfect match in Takako Matsu and Sayaka Kanda , and they really added a whole new dimension to the storytelling. When asked about the success of Frozen , director Chris Buck stated: "We never expected anything like this.

We just hoped to make a movie that did as well as Tangled! I hoped the audience would embrace it and respond to it, but there's no way we could have predicted this. We also have some flawed characters, which is what Jen[nifer Lee] and I like to do — we essentially create two imperfect princesses. Usually you do a project and it has its moment. This just feels like it keeps going.

Frozen opened to positive reviews, [9] with several critics comparing it favorably to the films of the Disney Renaissance, particularly The Little Mermaid , Beauty and the Beast , Aladdin , and The Lion King. The site's critical consensus reads: "Beautifully animated, smartly written, and stocked with singalong songs, Frozen adds another worthy entry to the Disney canon.

Alonso Duralde of TheWrap wrote that the film is "the best animated musical to come out of Disney since the tragic death of lyricist Howard Ashman, whose work on The Little Mermaid and Beauty and the Beast helped build the studio's modern animated division into what it is today. Its first and third acts are better than the jokey middle, but this is the rare example of a Walt Disney Animation Studios effort that reaches as deep as a Pixar film. It's also a just plain terrific bit of family entertainment.

The Los Angeles Times extolled the film's ensemble voice talent and elaborate musical sequences, and declared Frozen was "a welcome return to greatness for Walt Disney Animation Studios. Hot on the heels of the 90th anniversary, it's impossible to imagine a more perfect celebration of everything Disney is at its best.

Scott Foundas of Variety was less impressed with the film, describing it as "formulaic", though he praised its voice acting and technical artistry: "The tactile, snow-capped Arendelle landscape, including Elsa's ice-castle retreat is Frozen ' s other true marvel, enhanced by 3D and the decision to shoot in widescreen — a nod to the CinemaScope richness of Sleeping Beauty and Lady and the Tramp That's almost but not quite enough to make up for the somewhat slack plotting and the generic nature of the main characters.

Neither princess here is a patch on Tangled ' s babe-in-the-woods Rapunzel, while both Hans and Kristoff are cut from pretty standard-issue hero cloth until a reasonably surprising third-act twist somewhat ups the ante. Only Olaf is unimpeachable: Get this snowman a spinoff feature to call his own.

Louis Post-Dispatch also criticized the story as the film's weakest point. Allegations of sexism occurred following a statement by Lino DiSalvo, the film's head of animation, who said to Fan Voice's Jenna Busch: "Historically speaking, animating female characters are really, really difficult, because they have to go through these range of emotions, but you have to keep them pretty.

I felt horrible for him," she said. People didn't get back to me for comments and the sad thing is that's the way the internet works. They don't want the truth. Several viewers outside the film industry, such as evangelical pastors [] [] [] and commentators, [] argued that Frozen promotes normalization of homosexuality , while others believed that the main character, Elsa, represents a positive image of LGBT youth, viewing the film and the song "Let It Go" as a metaphor for coming out.

But at the same time I feel like once we hand the film over, it belongs to the world, so I don't like to say anything, and let the fans talk. I think it's up to them. Because each replay or new performance of the song restarts the statute of limitations clock, Ciero was told he could amend his original complaint to address only those infringements within the 3 year timeframe.

Frozen was nominated for various awards and won a number of them, including several for Best Animated Feature. The song "Let It Go" was particularly praised. Elsa and Anna doing a Meet and Greet at Disneyland in During the spring and summer of , several journalists observed that Frozen was unusually catchy in comparison to the vast majority of films, in that many children in both the U.

In May, columnist Joel Stein of Time magazine wrote about his young son Laszlo's frustration with the inescapable "cultural assault" of Frozen at preschool and all social and extracurricular activities, and how he had arranged for a Skype call with lead actress Bell after Laszlo began asking why the film was made.

No pun intended. In a mid-year report of the most-used baby names conducted by BabyCenter , Elsa was ranked 88; it was the first time the name had appeared on the site's chart. Vice president of Disney UK Anna Hill later commented that "We're delighted that Elsa is a popular name for babies and it's lovely to hear that for many families, it is actually their siblings who have chosen it," and that "Elsa's fight to overcome her fears and the powerful strength of the family bond" were relatable to many families.

After Disney announced in March that a feature-length sequel was in development, Agence France-Presse and the Toronto Star both published stories gently mocking the horror of parents everywhere at the news that another Frozen "sensory and financial assault" was in the pipeline. The directors, composers, producers, and several of the film's stars at the " Frozen FANdemonium: A Musical Celebration" presentation at the D23 Expo to celebrate the film's songs.

In January , Iger announced that Frozen would be adapted into a Broadway stage musical. Meanwhile, the producers of Once Upon a Time made by Disney-owned ABC Studios independently conceived of and obtained authorization from both ABC and Disney for a Frozen -inspired crossover story arc in the show's fourth season , which was first revealed at the end of the show's third season in May , which was broadcast in fall It was later revealed by John Lasseter in June that the minute special would instead receive a limited time [] theatrical release.

In addition, the movie was adapted into a world in Kingdom Hearts III, with the plot of the world titled Arendelle following the plot of the movie. On March 12, , Disney officially announced that a feature-length sequel to Frozen was in development with Buck and Lee returning as directors, and Del Vecho returning as producer. Brown were revealed to be in talks to join Frozen 2 , while it was confirmed that Bell, Menzel, and Gad will reprise their roles in the sequel.

In early , discussions from within Disney Studios were publicized which centered on Elsa's possible development as a lesbian in Frozen 2. Template:Frozen franchise. Template:The Snow Queen. Template:Jennifer Lee filmmaker. This is been a good article for Frozen film. Follow the link for more information. Famous 5 Ned's Newt TV series. Explore Wikis Community Central. Register Don't have an account?

Frozen film. History Talk 0. Do you like this video? Play Sound. File:Kristen Bell Frozen premiere cropped. File:Idina Menzel Defense. File:Jonathan Groff at Outfest Filest Annie Awards, Josh Gad crop. Main article s : Frozen soundtrack. File:Frozen premier.

Kennedy International Airport. Main article s : Phase 4 Films Trademark infringement lawsuit. Main article s : List of accolades received by Frozen film. Main article s : Frozen franchise. Main article s : Frozen 2. Retrieved on February 6, Ontario Film Review Board. November 12, Archived from the original on January 16, Retrieved January 15, Retrieved on November 29, Box Office Mojo.

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San Francisco: Chronicle Books. ISBN Archived from the original on October 31, Retrieved on October 22, Den of Geek! Dennis Publishing. Retrieved December 25, Archived from the original on September 21, Retrieved May 15, Steve Jobs 1st paperback ed. New York: Simon and Schuster. Creativity, Inc. New York: Random House. Random House. Movies , Yahoo! Retrieved on April 8, Retrieved on November 25, Retrieved on June 20, Retrieved on April 6, Retrieved on November 27, But seriously, we don't have the story.

It's a bit like Beauty and the Beast , which sat there for years. We cracked Beauty finally by putting in the objects and creating more plot. The Snow Queen we've had a lot of trouble with and I've spent years on it.

I love it and I think it's one of the last great fairy tales. It's kind of crappy that it's just sitting there right now. Retrieved on December 22, Williams College. Archived from the original on November 5, Retrieved on March 5, Retrieved on March 27, Retrieved on April 1, Retrieved on March 26, Retrieved on November 21, ISSN OCLC Archived from the original on March 26, Retrieved March 27, Retrieved on 14 June Archived from the original on March 30, Retrieved April 5, Retrieved on November 9, Retrieved on April 3, CraveOnline Media.

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Archived from the original on May 25, All the dragons repeatedly fire at the Bewilderbeast until Toothless fires a final massive blast, breaking its left tusk. Defeated, the Bewilderbeast retreats with Drago on his back. The Vikings and dragons celebrate their victory and Hiccup is made chieftain of Berk, while all the dragons from both Berk and Valka's sanctuary bow before Toothless as their new king. Afterwards, Berk undergoes repairs, with Hiccup feeling certain that its dragons can defend it.

After the success of the first film, the sequel was announced on April 27, For the sequel, he intended to revisit the films of his youth, with The Empire Strikes Back and My Neighbor Totoro [15] having the pivotal inspirations for the film. It felt like an embellishment and that's the goal. While the first film was set in a generic North Sea environment, the creative team decided to focus on Norway this time around.

Early in the sequel's development, about a dozen of them traveled there for a week-long research trip, where they toured Oslo , Bergen , and the fjords. Over the five years before the film's release, [21] DreamWorks Animation had substantially overhauled its production workflow and animation software. Called by Katzenberg as "the next revolution in filmmaking", it enabled artists for the first time to work on rich, complex images in real time, instead of waiting eight hours to see the results the next day.

Programs named Premo [23] and Torch allowed much more subtlety, improving facial animation and enabling "the sense of fat, jiggle, loose skin, the sensation of skin moving over muscle instead of masses moving together. The film was screened out of competition on May 16, at the Cannes Film Festival. The website's critical consensus states: "Exciting, emotionally resonant, and beautifully animated, How to Train Your Dragon 2 builds on its predecessor's successes just the way a sequel should.

At the Cannes Film Festival , Peter Debruge of Variety praised the film and its ambitions: "The pressures to make a giant four-quadrant monstrosity must be enormous, and yet, like his unflappable hero Hiccup, How to Train Your Dragon 2 writer-director Dean DeBlois has prevailed, serving up DreamWorks Animation's strongest sequel yet—one that breathes fresh fire into the franchise, instead of merely rehashing the original.

Braver than Brave , more fun than Frozen , and more emotionally satisfying than so many of its live-action counterparts, Dragon delivers. And good thing, too, since DWA desperately needs another toon to cross the half-billion-dollar threshold. It should also do very healthy business for hit-starved DreamWorks Animation. Louis Post-Dispatch gave the film three out of four stars, saying "For audiences who want a sweet story, they can't beat the first film of a boy finding his best friend.

For those who are ready for the next stage, try this one about a boy becoming a man. Bill Goodykoontz of The Arizona Republic gave the film four out of five stars, saying "It seemed as if there was nowhere new to go after the first film, but this is a richer story that dares to go darker and is thus more rewarding.

It truly is a high-flying, depth-charging wonder to behold. A little. You bet. But that's exactly what makes the Dragon films so different, and so much better, than the average children's fare. He has created a thoughtful tale as meaningful for grown-ups as it is pleasurable for its young primary audience. And there's another already planned. Rene Rodriguez of the Miami Herald gave the film three-and-a-half stars out of four, saying " How to Train Your Dragon 2 is its own standalone picture, with a surprising range of emotions that surpasses the original and a brisk pace and manner of storytelling that give it purpose and direction.

The fact that it's also so much fun, no matter what your age, almost feels like a bonus. Thanks to the superb 3-D direction by DeBlois, we swoop through the air, whoosh down dragons' tails, and juuust baaaarely [ sic ] squeeze into small crevices, but still, those experiences are only like being on a really great rollercoaster—they don't mean anything.

Dowd of The A. The trade-off is that the charm of the original gets a little lost, a casualty of rapid-franchise expansion. Composer John Powell , who earned his first Academy Award nomination for his music in the original movie , returned to score the sequel. Powell described the project "a maturation story" and stated that he too tried to achieve the same maturation in the structure of his music by developing further every aspect of his compositions from the original film.

The latter song is featured only in the European versions of the film. The soundtrack album for the film was released on June 13, , by Relativity Music Group. Rybak's song "Into a Fantasy" was released separately as a single. The third and final film in the trilogy, How to Train Your Dragon: The Hidden World , [] was originally scheduled for release on June 17, , [] but in September , DreamWorks Animation moved the release date to June 9, Miller as Tuffnut returned, along with composer John Powell, who scored the first two films.

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You can look it up for more info on why so don't worry, there's nothing wrong with the disc formatting or recording. I would definitely suggest you to get the 2 disc version as the special feature disc contains a documentary on the science behind Interstellar voiced by Mathew McConaughey himself and more clips on how the background story, conceptualisation and design of the robots, the space travel, the dust, the eerie space music and more.

This gives more insight into the research and effort put into the story and the movie as a whole and you would surely love, especially even more if you're a creative person of any form. I've been eying this steelbook since a long time. And I'm glad I finally got it! It raises the bar in my cabinet along with other steelbooks. Needless to mention, the movie is our generation's classic masterpiece. Just a little knowledge of space time makes this viewing a terrific experience.

Earth is turning environmentally unihabitable and NASA sends a space probe through a portal near planet saturan which is probably opened by aliens or future human beings 48 years ago for saving present humanity or future humans from inevitable death. Almost every current hot topic of science has been touched but not deeply, like portal to other dimensions and far distances, black holes, time dilation and contraction account.

Also human traits emotions love fear etc. Good entertainment. Worth watching. One person found this helpful. I just love this digibook so much! It is a really cool version for fans of the movie.. A movie to remember. It brought chills when I saw it for d first time. Some scenes are so intense u will feel it's happening for real. And the music is the best any movie has Watch it on a big screen lyk a 72inch tv.

With a good home theatre sound system. With all the lights off. What can be said about this movie that hasn't already been! I must have seen it at least a dozen times already and still cant get enough of it. Highly recommended to be seen on a full on home theater system to get most out of this movie! See all reviews. Top reviews from other countries. Excellent film; I love a great thought-provoking, mind-bending movie and this serves that category with aplomb. Aside from the stunning visuals lies a personal, human story, and a heartening relationship between a father and his daughter.

The Digibook is a quality product, full of good quality stills from the film; certainly worth getting the special edition! Report abuse. I hope so, can watch again and again. Love this film - its a long film but it engrosses me, largely down to the soundtrack but brilliantly effects and acting from Matthew McConaughey at his career best?

Cooper and Brand frequently discuss how much time it will cost them to travel to X planet vs. Y planet. It will take eight months to get to Mars and two years to get to Saturn. An hour scouring one foreign planet will cost them seven Earth years. We watch as time steals away precious moments Cooper has with his family while he fulfills a duty he feels obligated to do — save mankind.

As he watches transmissions from his children over the years as they grow and he appears to stay the same, you can't help but want to tear up alongside the rough and tough McConaughey who is reduced to a puddle of tears onscreen. And while this may not be another Oscar-winning role, Mc Conaughey delivers again. He has this easy-going, rugged demeanor that can equally charm you while he's embracing his daughter close or joking casually with one of two military droids and disarm you when butting heads with Brand.

At this point in his ongoing McConaissance, he just has to show up to win you over. Michael Caine — a Nolan favorite now appearing in six of the director's films — and Jessica Chastain also deliver strong performances, but the real breakout star is year-old MacKenzie Foy, who plays Cooper's young daughter. Andrew H. You may recognize Foy from the "Twilight" franchise as a young vampire, but boy does she stand out here as a feisty and stubborn yet brilliant young girl who follows in her father's footsteps with a love for science.

Comedian Bill Irwin is also a welcome delight bringing to life TARS, a sarcastic giant military droid whose concrete slab appearance parallels Kubrick's mysterious monolith from " You can't talk about "Interstellar" without mentioning the music. The two go hand in hand, really. Nolan's fifth collaboration with composer Hans Zimmer is dynamic. His soundtracks always breathe life into Nolan's films and this time is no different.

There's something about the ability of Zimmer's scores to make the film feel bigger than it really is and that's one perk of seeing it in IMAX. You can instantly be filled with an eerie sense of wonder of what it's like to be in space but at any second Zimmer can crank up the noise gradually or suddenly so that your heart tightens in your chest and your fingers clutch nervously at your sides.

Some of his darkest tunes in "Interstellar" bring to mind " Gotham's Reckoning " from "The Dark Knight Rises" soundtrack, another collaboration with Nolan. I mentioned earlier there's a strange moment that may make you raise your eyebrow and wonder what's going on. Without spoiling much, there's a moment late into the film that screams Kubrick. It's so bizarre and wacky at first that y ou'll either embrace this moment as a brilliant risky move or dismiss it as jumping the shark in trying to tie together the film's vast plot.

I'm still grappling with whether or not I liked this Kubrick-esque fourth act in the film. A second viewing may help me enjoy it more. Before seeing the film, I was ready to tell everyone to see this movie on the largest screen possible. I know Nolan filmed the movie in both 65mm IMAX film and 35mm anamorphic film, but since the film goes back and forth between space and Earth and other planets in between, not every moment is filmed in IMAX.

There were a handful of moments where I felt watching in IMAX was absolutely necessary: when you see the scale of the other planets being explored ranging from a water planet with waves cresting at what appear to be ft tall or more to a tundra with clouds made of sharp ice. Nolan says his main focus for the film was to try and put the audience in space and he succeeds in doing just that.

Will you get the best experience out of one of the IMAX screenings? Since Nolan filmed a large chunk of the movie that way you may as well pay to see it the way the director intended. I just wasn't as blown away during my experience at the Lincoln Square theater as I was by last year's space epic "Gravity. Early on, Cooper just happens to stumble upon NASA at the exact moment when they need a pilot to command a space shuttle leaving in search of a new planet to sustain life.

The whole bit seems rather convenient and contrived. Nolan consulted theoretical physicist Kip Thorne who serves as an executive producer on the film, but t he science itself can be a bit dense and go over the average viewer's head as a NASA team tries to solve an equation about gravity and there are discussions about finding the shortest route to embark on their journey. And while the many nods to Kubrick's filmmaking are there, I'm not sure if it works all the time. There's a particular scene where the camera cuts multiple times from no sound in space to sound onboard the shuttle with McConaughey, Hathaway, and others and it's a little bit jarring.

Nolan says the scene is supposed to "emphasize the claustrophobia of the ships"; however, I'm not sure that completely works.

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Why is Interstellar Loud? - A Film Analysis


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