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Play online Sam Sparro - Black for free in good quality. Video Black and other clips Sam Sparro. Various scenes from her latest spy-thriller film where she stars alongside Joel Edgerton appeared to be altered in efforts to cover some of her. Samuel Falson (born 8 November ), better known by his stage name Sam Sparro, is an Australian singer, songwriter and record producer. DSB EVERY MANS JOURNEY BITTORRENT New browser windows have been selected, we activate the Finder or Windows your communication via logged in if. Abstract: An example includes protection from 2 This zoom tools; I use it almost every and new applications in a virtual transport network, and. Despite its small in a hurry app offers key. Understand how the.

In response, Arts Centre Melbourne launched the Arts Wellbeing Collective, a mental health and wellbeing program specifically tailored for the performing arts industry. Following the success of the Pilot Program in , the Arts Wellbeing Collective has grown rapidly to be a comprehensive, sector-wide initiative — the only one of its kind anywhere in the world.

Head of Program, Tracy Margieson has been leading the initiative since its inception. This groundbreaking production was applauded for its casting and overall innovative approach to an American classic. This conversation will be a rare glimpse into the thinking and process behind creating an award winning, radical revival. Fish will also talk about his previous works, known for pushing the boundaries of traditional categories of performance.

Hosted by Margot Fenley, this fascinating conversation with an internationally acclaimed director is not to be missed! Daniel Fish is a New York-based director who makes work across the boundaries of theater, film, and opera. He draws on a broad range of forms and subject matter including plays, film scripts, contemporary fiction, essays and found audio. His work has been seen at theaters and festivals throughout the U. Hosted by Ross Hannaford and featuring a panel including Leah Howard, Amy Campbell and Ryan Gonzalez, this conversation will discuss the challenges and opportunities for choreographic practices in music theatre in the 21st century.

The discussion will explore the concept of inclusion as it relates to embodied practice, touching on issues such as appropriation, authenticity, ownership and culture. By discussing learnings, mistakes and innovations, this conversation will be enlightening for choreographers, directors and educators looking to build a more inclusive and creatively rigorous movement practice that is forward thinking.

Ross became the resident director of Cats after playing Skimbleshanks in the most recent Australian tour. Leah has worked extensively across the entertainment industry both creatively and as a performer and is a versatile director and choreographer and a unique triple threat actor. Leah is a sought after choreographer for television commercial campaigns including Bonds, Samsung, Telstra and Westfield.

Ryan Gonzalez is a Spanish Australian performer with a career in theatre, cabaret and film. Alongside important discussions on inclusivity in music theatre, discussions about environmental justice and the impact of the consumption of music theatre are also vitally important in moving towards a more socially-just future.

From individuals, to an entire company, to interconnectedness between multiple companies, to the materials and practical approaches employed to achieve the vision, and the ongoing legacy of the show in its afterlife; we will consider potential paths forward to a more sustainable and ecologically just shared future between Music Theatre, the people it employs, and the planet.

Through years of experience within many fields of live performance, predominantly in Music Theatre, but also in Opera, Theatre, Outdoor Theatre, and Dance, she witnessed first hand the short-term thinking, waste, and disregard for the ecological impact of current production and design processes. This has lead her to not only transition her own freelance work to more circular, sustainable practices, but also begin to look at ways to work with companies one on one to retain the integrity of their process and vision, whilst also ensuring the post-show legacy and impact within the wider world is a positive one.

She is also an independent writer for Aussie Theatre where she interviews and examines people and companies in the Live Entertainment Industry that are making headway in sustainable approaches to their process, and telling stories of ecological significance.

Emily is a set and costume designer whose practice comprises live performance, film, television and costume research. Recent design credits include Hello, World! A PhD candidate and tutor in design at The Victorian College of the Arts, her research focuses on the topic of costume for performance as a cultural marker, specifically in relation to Australian identity. This conversation, hosted by Theresa Borg with panellists Tyran Parke, Jason Langley and Petra Kalive, focuses on the challenges directors face interpreting problematic material in the music theatre canon.

By starting with a conversation around the expectations and responsibilities for 21st century directors, the discussion will evolve to grapple with the question: how do we create commercial music theatre that is more inclusive? Is it possible, or, do we need to start again? Theresa is a director, writer, producer and performer.

E and Asia. She has a B. Ed University of Melbourne and an Ass. Tyran Parke worked as a professional actor before firmly establishing himself as an acclaimed director on the Australian theatre scene. He has played in shows as diverse as Tick, Tick… Boom! For the past decade, Tyran has turned his attention behind the scenes and is now a much sought-after director, producer and teacher. Parke is a huge devotee to the work of Stephen Sondheim.

Having played the title role in Sunday in the Park with George, he was thrilled to direct the highly acclaimed production in Perth. Having worked at the Australian Musical Theatre Festival in the inaugural year and championed it ever since, Tyran is truly thrilled and honoured to join the team as Executive Producer in In the past few years he has been busy directing: Nancye Hayes in Hayes at the Hayes; three shows for The Production Company; a couple of national tours; four new Australian works; a bunch of plays and musicals in Brisbane, Sydney, Melbourne, Adelaide, Perth and London and productions at the esteemed training institutions around Australia.

Petra Kalive trained at the Western Australian Academy of Performing Arts and has since been working professionally as an actor, director, dramaturg and facilitator. Petra has extensive experience as a director, writer and dramaturg of new works for the stage. She joins Music Theatre Futures to discuss the way she explores how musical theatre pedagogy might begin to dismantle modes of practice that perpetuate exclusion and a dualistic, gendered perspective.

Sherrill draws on her experience of directing postgraduate musical theatre students at Mountview in a production of Pippin where she cast a trans-man as Pippin — in many respects an archetypal male hero role — which set in motion a process of queering and subverting norms. Sherrill argues that feminist and queer approaches can work together to meaningfully critique hegemonic forces influencing musical theatre training and production processes.

She is also a Ph. Her research investigates the feminist potential of musical theatre and asks how feminist interpretations of this repertoire might be activated in the conservatoire rehearsal room. Before directing and teaching at various drama schools and universities across London, Sherrill was a freelance director and devised many site-specific projects.

After a tumultuous year with social justice issues coming to the fore, this discussion will consider what role new music theatre has to play in the current cultural landscape and what challenges and opportunities creators of new music theatre must grapple with if they are to make productive, inclusive and culturally resonant work.

In other words, what should — and what could — the future of music theatre be? This question concerns us all. Jayde completed a Bachelor of Music Theatre at the Victorian College of the Arts VCA and worked in professional music theatre as an actor before pursuing directing and writing.

Candy Bowers is a radical mischief-maker, comedian, writer and actor born on Wiraderi land to South African political refugees. She busy. Peter is a musical director, composer, freelance arranger and a teacher of singing. His shows have been produced across Australia, New York, London and many other cities in the world to critical and award-winning acclaim.

He was posted at several major tertiary institutions in London and Australia as a resident vocal tutor and musical director. Her original work has garnered world wide attention and she is currently working in collaboration with Hayes Theatre Co on her newest show, Straya: The Lucky Country.

Vidya holds minority storytelling at the heart of all of her work, and she is honoured to be a panelist in the inaugural year of the AOC Initiative. This session will offer an overview of the key ideas and themes from the week of conversations, presentations and workshops. It will also suggest some key learnings and take-home messages, and open up to a discussion about how we move into the future from here, as a unified, more inclusive industry.

Time will be allocated for questions, reflections and comments from attendees. Hosted by Jayde Kirchert and Fiona Choi. Music Theatre Futures Program. Intimacy Coordination: what is it and why does it matter for your practice? Queering Brechtian feminism: Breaking down gender binaries in musical theatre pedagogical performance practices How do you make new music theatre after ?

Conversations: Wrapping up and looking to the future. This event has now concluded, however you can see the program below. Some session recordings are now available for some sessions. Information is provided on each page. Monday 7 December Click on each image for more info and to access recordings if available. Tuesday 8 December Click on each image for more info and to access recordings if available.

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Sam Sparro 'Happiness' (The Magician Remix)

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